28. One of van Eyck's finest and most characteristic works is the "Annunciation", painted c. 1434-36, which hangs in the National Gallery in Washington. In what locality does van Eyck set the Annunciation in this painting?
From Quiz Paintings of van Eyck
Answer:
A church
The incongruity of setting the Annunciation (which, historically, took place well before there were such things as churches) in a church has been much commented on, particularly since a stained glass window near the top of the painting depicts an adult Christ standing atop a globe. According to Catholic tradition, Mary was a temple virgin before her betrothal, van Eyck may have been referring obliquely to this tradition in setting the scene in a place of worship.
This painting, like the "Arnolfini Betrothal", boasts a wealth of symbolic detail. The floor of the church is painted with scenes from the Old Testament, of which one can discern David and Goliath and Samson destroying the temple of the Philistine's, two scenes which refer to the destruction of powerful and evil forces by a seemingly defenseless and vulnerable individual and which, thus, foreshadow the New Testament scene being depicted. A beam of light falling upon Mary from one of the upper windows suggests another Catholic tradition which explains the Virgin Birth by comparing the conception of Christ to a ray of light passing through a window.
Technically, the painting is a tour-de-force, particularly the depiction of the angel Gabriel, resplendent in robes of red and gold. One can almost feel the difference in texture between the warm red velvet and the sleek cloth of gold, and the pearls and gems which encrust the border of his cloak are amazingly detailed even when examined under a magnifying glass. An indication of the artists mastery of detail can be seen in the bit of diamond-paned glass window visible just over the angel's shoulder, through which one can see a building; on closer inspection, one can make out details such as timbering, a gabled roof, windows, and a bell-tower.