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Quiz about Theatre History  18th Century German
Quiz about Theatre History  18th Century German

Theatre History - 18th Century German Quiz


This is a quiz on the theories and practice of theatre in 18th Century (and a little early 19th Century) Germany. Enjoy!

A multiple-choice quiz by rj211. Estimated time: 5 mins.
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Author
rj211
Time
5 mins
Type
Multiple Choice
Quiz #
182,458
Updated
Dec 03 21
# Qns
10
Difficulty
Tough
Avg Score
6 / 10
Plays
350
Awards
Top 35% Quiz
Last 3 plays: vio0209 (4/10), Guest 134 (8/10), Guest 87 (2/10).
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Question 1 of 10
1. In early 18th Century Germany, there were a few popular kinds of theatre, including court theatres, Jesuit theatres, and English and German troupes of professional actors. Were the German troupes more popular than the English ones?


Question 2 of 10
2. To support and revitalize German theatre, Gottsched and the Neubers formed an oft-imitated dramatist/actor collaboration. One of the members in this company was also a critic. Which one? Hint


Question 3 of 10
3. The trend in 18th Century theatre was Rationalism. Which German philosopher contributed to the basis of that movement? Hint


Question 4 of 10
4. Gotthold Lessing (1729-1781) was among the best dramatists of German Rationalism. One of his most famous plays, and one of the best philosophical dramas of the movement, was "Nathan the Wise" (1779). In the play is the story of three brothers who have inherited precious what? Hint


Question 5 of 10
5. The Storm and Stress (Sturm und Drang) movement was in reaction against Symbolism.


Question 6 of 10
6. Early in his career, German theatre giant Goethe (1749-1832) wrote in the Storm and Stress movement. His novel from the period, "The Sorrows of Young Werther" (1774), was about a young intellectual trying to sort though the confusion of the world and his emotions. Eventually, Werther commits suicide. Was this a popular novel in its time?


Question 7 of 10
7. Two premiere German dramatists of the 18th Century joined forces at the Weimar Theatre: Goethe and Schiller (1759-1805). Which theatrical style did they revitalize and draw upon? Hint


Question 8 of 10
8. Through his work at the Weimar Theatre, Goethe came to be known as a "director" in the modern sense. Which of these practices did the Theatre NOT follow? Hint


Question 9 of 10
9. Schiller began his career writing Storm and Stress plays. Later in his career, he became renowned for what kind of play? Hint


Question 10 of 10
10. Goethe was a grand literary figure in Germany and Europe in the 18th Century and the beginning of the 19th Century, but arguably his most important contribution was his version of "Faust", written in two parts: "Faust, Part One" (1808) and "Part Two" (1831). The story had previously been dramatized by Christopher Marlowe in "The Tragical History of Doctor Faustus" (c. 1590). What significant change did Goethe make to the story? Hint



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Most Recent Scores
Nov 06 2024 : vio0209: 4/10
Nov 06 2024 : Guest 134: 8/10
Nov 06 2024 : Guest 87: 2/10

Score Distribution

quiz
Quiz Answer Key and Fun Facts
1. In early 18th Century Germany, there were a few popular kinds of theatre, including court theatres, Jesuit theatres, and English and German troupes of professional actors. Were the German troupes more popular than the English ones?

Answer: no

Most professional troupes at the time were English, and they were very popular in Germany. The German troupes were less organized and advanced.
2. To support and revitalize German theatre, Gottsched and the Neubers formed an oft-imitated dramatist/actor collaboration. One of the members in this company was also a critic. Which one?

Answer: Johann Gottsched

Gottsched was the critic/dramatist. The Neubers were the actors/directors. The company consciously aimed to improve the quality of German theatre and the artistic tastes of the German audiences.
3. The trend in 18th Century theatre was Rationalism. Which German philosopher contributed to the basis of that movement?

Answer: Kant

While all four of these philosophers helped create a foundation for Rationalism in theatre, only Kant was a German 18th Century philosopher. Rationalism promoted the idea that the human mind could solve all problems through reason.
4. Gotthold Lessing (1729-1781) was among the best dramatists of German Rationalism. One of his most famous plays, and one of the best philosophical dramas of the movement, was "Nathan the Wise" (1779). In the play is the story of three brothers who have inherited precious what?

Answer: rings

Three brothers inherited a ring each, and one of the rings had the power to render its holder pleasing to God and men. The brothers didn't know which ring was the powerful one, and it wouldn't be known as long as the brothers competed over the merit of their own ways.

The play, a parable for the conflict between Islam, Judaism, and Christianity, sets an example of how rational peace can resolve a seemingly impossible problem.
5. The Storm and Stress (Sturm und Drang) movement was in reaction against Symbolism.

Answer: False

Storm and Stress was a reaction against Rationalism. It was a rebellion against absolutism and injustice in society, which manifested itself as a rebellion against the rules of Neo-Classicism and Rationalism in theatre.
6. Early in his career, German theatre giant Goethe (1749-1832) wrote in the Storm and Stress movement. His novel from the period, "The Sorrows of Young Werther" (1774), was about a young intellectual trying to sort though the confusion of the world and his emotions. Eventually, Werther commits suicide. Was this a popular novel in its time?

Answer: Yes

The novel was hugely popular, and readers felt they could identify with the hero, much like the more modern "Catcher in the Rye" phenomenon. In fact, the novel inspired many suicides in the style of its hero.
7. Two premiere German dramatists of the 18th Century joined forces at the Weimar Theatre: Goethe and Schiller (1759-1805). Which theatrical style did they revitalize and draw upon?

Answer: Classicism

Weimar Classicism, a precursor to Romanticism, sought to transform everyday life rather than just replicate it onstage. Its approach was based in reason rather than emotion and it followed a conventional dramatic structure.
8. Through his work at the Weimar Theatre, Goethe came to be known as a "director" in the modern sense. Which of these practices did the Theatre NOT follow?

Answer: National auditions for every new production

Goethe took more control as a director than had been the norm, attempting to have a unified vision of the production reveal itself through acting, design, language, etc. The Weimar Theatre had a repertory company, though, and did not cast from the public for each new production.
9. Schiller began his career writing Storm and Stress plays. Later in his career, he became renowned for what kind of play?

Answer: Historical

Schiller's last play, "William Tell" (1805), was the best German example of Romantic theatre and a sweeping historical epic. The play concerned itself with the Swiss people and interwove numerous plot lines and characters.
10. Goethe was a grand literary figure in Germany and Europe in the 18th Century and the beginning of the 19th Century, but arguably his most important contribution was his version of "Faust", written in two parts: "Faust, Part One" (1808) and "Part Two" (1831). The story had previously been dramatized by Christopher Marlowe in "The Tragical History of Doctor Faustus" (c. 1590). What significant change did Goethe make to the story?

Answer: Faust escaped the Devil and ascended to Heaven.

Marlowe's version saw Faust ultimately succumb to the sympathetic Devil character. In Goethe's version, Mephistopheles still won Faust's soul, but the Angels distracted Mephistopheles so that they could sneak Faust's soul past him and into Heaven. Goethe's Faust became a model for the Romantic hero and the work inspired the Romantic Movement.
Source: Author rj211

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