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Quiz about Musical Memories of the Class of 56
Quiz about Musical Memories of the Class of 56

Musical Memories of the Class of '56 Quiz


Time has just flown by since my high school years, 1952-56. Out of those years came the first Rock 'n' Roll hits, silly love songs, corny specialty recordings, chart-topping hits by former big band singers--and wonderful memories!

A multiple-choice quiz by fritzer. Estimated time: 6 mins.
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Author
fritzer
Time
6 mins
Type
Multiple Choice
Quiz #
233,338
Updated
Dec 03 21
# Qns
15
Difficulty
Tough
Avg Score
9 / 15
Plays
976
Last 3 plays: Guest 64 (13/15), Guest 174 (3/15), Guest 120 (7/15).
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Question 1 of 15
1. Which of these 1950's male hit makers was never a singer with a Big Band? Hint


Question 2 of 15
2. Which of these top recording artists of my 1952-56 high school years was later recipient of the first ever RIAA Gold Record? Hint


Question 3 of 15
3. Which of these 1950's female hit makers was never a big-band singer? Hint


Question 4 of 15
4. Which chart-topping group started singing in the SPEBSQSA (Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America)? Hint


Question 5 of 15
5. What is the name of the recording artist who produced the most Number One singles during 1956, the year of my graduation? Hint


Question 6 of 15
6. This man had only one fewer No. 1 hits during my 1952-1956 high school years than did The King, Elvis Presley. Hint


Question 7 of 15
7. Specialty numbers can make it big during every era. During my teens there was the corny "It's in the Book" by Johnny Standley. It was No. 1 in November 1952. Both sides of a 45 RPM record made up this one hit: a stand-up comedy routine about "Little Bo Peep" on Side 1, and a revival/gospel hand-clapping comedy song on the flip side. What was the subject of the flip-side song? Hint


Question 8 of 15
8. One of our own homegrown Seattle comedy artists made the national big time in the fifties with two specialty numbers based on the incredibly popular television show "Dragnet." In the late 1950's he produced maybe the very last radio weekly comedy show (yes, on AM radio). Who is he? Hint


Question 9 of 15
9. Which chart-topping vocalist of my high school years was also a world-class jazz pianist? Hint


Question 10 of 15
10. Ernest Ford, from Tennessee, produced a No. 1 hit in late 1955. The song was based on working men in what kind of job? Hint


Question 11 of 15
11. These brothers, of Russian-American descent, out of Massachusetts, were so great! Their body of recorded music from the late 1940's through the 1950's is immense; their combined voices still give me goosebumps. The lead singer-brother went on to a successful solo career. Their big hit during my high school years was based on double-meanings involving an infant. Who were they? Hint


Question 12 of 15
12. These sisters were very successful during my teens, and produced the No. 1 hit of February 1955, "Sincerely". One sister, Phyllis, fell into bad company later, leading her to serious trouble. Who were they? Hint


Question 13 of 15
13. Richard Hayman's own orchestra accompanied him as he played an instrumental solo on the theme song he himself had written for the movie "Ruby Gentry." The recording was on the pop charts for five weeks in 1953, topping at No. 3, and sold over a million copies. What unique instrument did Hayman play (exceedingly well) on this record? Hint


Question 14 of 15
14. During the 1950's, the Billboard lists of "popular" recorded hits was divided into Rhythm and Blues (R&B) and Pop charts. R&B artists tended to be black, and Pop artists white, but never exclusively so. "Crossover" hits were songs that sold well in the "other" record segment. Many "cover" recordings of R&B hits made it big on the Pop charts. Which of these recordings was NOT a Pop cover of an earlier R&B hit? Hint


Question 15 of 15
15. Elvis Presley was, without doubt, The King of recording artists in the decade of the 1950's. He first showed up on the Pop charts in the Spring of 1956, just as the Class of '56 was getting its graduation ceremony together. Then there were Elvis recordings on the Pop charts, typically at the very top, continually for years and years. What is the early Elvis recording, from the Summer of 1956, that became his biggest-selling hit ever? Hint



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Most Recent Scores
Dec 16 2024 : Guest 64: 13/15
Nov 23 2024 : Guest 174: 3/15
Oct 29 2024 : Guest 120: 7/15

Score Distribution

quiz
Quiz Answer Key and Fun Facts
1. Which of these 1950's male hit makers was never a singer with a Big Band?

Answer: Pat Boone

Pat is only four years older that I, so he's much, much, MUCH too young to have been involved in the Big Band era. Perry sang with the Ted Weems band, Frank with Tommy Dorsey. Eddie crooned with the Buddy Morrow and Charlie Ventura bands. By the way, Fisher was married (not all at the same time, I guess) to Elizabeth Taylor, Debbie Reynolds, and Connie Stevens. My oh my!
2. Which of these top recording artists of my 1952-56 high school years was later recipient of the first ever RIAA Gold Record?

Answer: Perry Como

The Recording Industry Association of America initiated the Gold Record Award in 1958. The first RIAA award for a certified half-million-seller (I think that's what constituted "gold" in those days) went to Perry for "Catch a Falling Star" on March 14, 1958. Later that year, the Elvis Presley hit "Hard Headed Woman" became his first single to earn the RIAA Gold designation.
3. Which of these 1950's female hit makers was never a big-band singer?

Answer: Teresa Brewer

Teresa is too young to have toured with a 1940's Big Band, although from age 5 to 12 she toured with the "Major Bowes Amateur Hour," a popular radio show. Georgia sang with several bands, including Artie Shaw's, Doris with Les Brown, Rosemary with Tony Pastor.
4. Which chart-topping group started singing in the SPEBSQSA (Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America)?

Answer: The Chordettes

The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America was the launching ground for these four fabulously talented women from Sheboygan, Wisconsin. Tenor Jinny Osborn's father was national president of the SPEBSQSA when The Chordettes were formed in 1949.
5. What is the name of the recording artist who produced the most Number One singles during 1956, the year of my graduation?

Answer: Elvis Presley

"Heartbreak Hotel" and "Don't Be Cruel" and "I Want You, I Need You, I Love You" and "Love Me Tender" were Presley's four No. 1 Billboard hits in 1956.
6. This man had only one fewer No. 1 hits during my 1952-1956 high school years than did The King, Elvis Presley.

Answer: Eddie Fisher

Eddie was No. 1 with "Wish You Were Here" (1952), "I'm Walking Behind You" (July 1953), "Oh My Papa" (January 1954), and "I Need You Now" (November 1954). He was husband to Liz and Debbie and Connie, oh my! And he's the father of Carrie and Joely Fisher, as well as Todd and Tricia. Oh Papa!
7. Specialty numbers can make it big during every era. During my teens there was the corny "It's in the Book" by Johnny Standley. It was No. 1 in November 1952. Both sides of a 45 RPM record made up this one hit: a stand-up comedy routine about "Little Bo Peep" on Side 1, and a revival/gospel hand-clapping comedy song on the flip side. What was the subject of the flip-side song?

Answer: soap

"Sing right out for Grandma's lye soap." I'm too embarrassed to say much about this really dumb recording. Except that I still love it.
8. One of our own homegrown Seattle comedy artists made the national big time in the fifties with two specialty numbers based on the incredibly popular television show "Dragnet." In the late 1950's he produced maybe the very last radio weekly comedy show (yes, on AM radio). Who is he?

Answer: Stan Freberg

Freberg's "St. George and the Dragonet" went to No. 1 on the Billboard pop charts in October 1953. "Little Blue Riding Hood" was a later "Dragnet" parody that became a hit on the charts. I've been a big fan of Stan's wonderful, droll, and intelligently funny stuff since, well, about 1953.
9. Which chart-topping vocalist of my high school years was also a world-class jazz pianist?

Answer: Nat Cole

Nat "King" Cole's jazz piano work with his trio in the late 1930's and 1940's is just so fine!. Jazz LP's backed by orchestra and small combos came along later. His pop singing career started because he did such a wonderful job vocalizing on "Sweet Lorraine" with his trio. Cole produced six hits on the Billboard charts during my high school years (including "Unforgettable") and many more before and after.

The man was without doubt one of the most incredibly talented musicians the USA, and the world, has ever produced. My opinion, I know, but it's my quiz and I can opinionate if I want to. Wow, that reminds me of a song!
10. Ernest Ford, from Tennessee, produced a No. 1 hit in late 1955. The song was based on working men in what kind of job?

Answer: coal mining

"Sixteen Tons" sang the plight of everyone who's ever worked without hope for a controlling and unsympathetic employer, and has forseen a future of nothing but toil because "I owe my soul to the company store."
11. These brothers, of Russian-American descent, out of Massachusetts, were so great! Their body of recorded music from the late 1940's through the 1950's is immense; their combined voices still give me goosebumps. The lead singer-brother went on to a successful solo career. Their big hit during my high school years was based on double-meanings involving an infant. Who were they?

Answer: The Ames Brothers

The "Naughty Lady of Shady Lane" turned out to be a nine-day-old baby! Ed Ames had a very successful recording career on his own after the group broke up.
12. These sisters were very successful during my teens, and produced the No. 1 hit of February 1955, "Sincerely". One sister, Phyllis, fell into bad company later, leading her to serious trouble. Who were they?

Answer: The McGuire Sisters

Phyllis McGuire became the long-time mistress of former Capone strongman and Mafia boss Sam Giancana. She was the subject of the 1995 HBO movie, "Sugartime."
13. Richard Hayman's own orchestra accompanied him as he played an instrumental solo on the theme song he himself had written for the movie "Ruby Gentry." The recording was on the pop charts for five weeks in 1953, topping at No. 3, and sold over a million copies. What unique instrument did Hayman play (exceedingly well) on this record?

Answer: harmonica

Later in 1953, Hayman's recording of another movie title song, "The Story Of Three Loves," was also a hit. An interesting sidelight about this recording is that it featured another great harmonica talent, Jerry Murad, leader of the famous Harmonicats.
14. During the 1950's, the Billboard lists of "popular" recorded hits was divided into Rhythm and Blues (R&B) and Pop charts. R&B artists tended to be black, and Pop artists white, but never exclusively so. "Crossover" hits were songs that sold well in the "other" record segment. Many "cover" recordings of R&B hits made it big on the Pop charts. Which of these recordings was NOT a Pop cover of an earlier R&B hit?

Answer: Frank Sinatra's "Learnin' the Blues"

"Learnin' the Blues," words and music by Delores Silver, was a Sinatra hit in 1955. Fats Domino had the R&B hit of "Ain't That a Shame," Etta James had "The Wallflower (Dance with Me, Henry)," and the Teen Queens, a female doo-wop group, had "Eddie My Love." Covers by other artists should not be considered "stealing" or "cheating" because the music business simply worked that way: songs and sheet music were the marketable property, and many labels and many artists could be expected to make recordings in hopes of selling records in their own markets.
15. Elvis Presley was, without doubt, The King of recording artists in the decade of the 1950's. He first showed up on the Pop charts in the Spring of 1956, just as the Class of '56 was getting its graduation ceremony together. Then there were Elvis recordings on the Pop charts, typically at the very top, continually for years and years. What is the early Elvis recording, from the Summer of 1956, that became his biggest-selling hit ever?

Answer: "Don't Be Cruel"

Elvis Presley's classic "Don't Be Cruel" became one of the top certified-sales-numbers singles of all time, selling at least four million records. It was the only single released prior to "We Are The World" in 1985 to reach RIAA quadruple-platinum status. On the other side of this "45" was "Hound Dog," which sold just as well, of course. I just happen to think "Don't Be Cruel" was the better song and performance.

Hey, it's my quiz!
Source: Author fritzer

This quiz was reviewed by FunTrivia editor Bruyere before going online.
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