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Quiz about John Wayne for People Who Hate John Wayne
Quiz about John Wayne for People Who Hate John Wayne

John Wayne for People Who Hate John Wayne Quiz


Recently, a well-respected Funtrivia.com personality remarked that he had been unable to sit through "any but one" John Wayne movie. Gatsby, this quiz is for you.

A multiple-choice quiz by stuthehistoryguy. Estimated time: 6 mins.
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Time
6 mins
Type
Multiple Choice
Quiz #
268,049
Updated
Dec 15 21
# Qns
10
Difficulty
Easy
Avg Score
8 / 10
Plays
4713
Awards
Editor's Choice
Last 3 plays: Guest 86 (8/10), Guest 99 (10/10), pughmv (10/10).
Question 1 of 10
1. If I were going to introduce John Wayne to someone who hated his stereotypical cowboy horse operas, I'd suggest a sentimental 1952 movie set in rural Ireland. In it, John Wayne plays an Irish-born American millionaire, reticent about his past, returning home to flee some unnamed demons and begin a new life. He runs into trouble, however, when the woman he loves demands that he fight her strapping brother for her well-earned dowry, a fight that the Duke uncharacteristically refuses for reasons he keeps painfully to himself. What absolute classic of ensemble acting am I talking about here? Hint


Question 2 of 10
2. If the John Wayne skeptic is unmoved by the sentimental Irish fare, perhaps a grimmer, even more against-type picture would be more effective. In this film, John Wayne plays early Texas rancher, Tom Dunson, driving his cattle north over a dangerous trail to Missouri. As the trek becomes more harrowing, the Duke's character, a stern, stone-cold killer from the beginning, begins to resemble, in John Wayne's own words, "Captain Bligh from 'Mutiny on the Bounty'". Eventually the aforementioned mutiny does come, led by Matt Garth, Dunson's partner since adolescence. Played by Montgomery Clift, Garth takes the herd over a shorter, safer route to Kansas, all the while haunted by Dunson's oath to kill him at the end of the trail. What is this brooding, complex, 1948 film. Hint


Question 3 of 10
3. If your tastes in intense, anti-heroic challenges to ethical standards run to gorgeous panoramic color, this film should fill the bill. In this 1956 masterpiece, which came in at number 12 in the American Film Institute's 2007 poll of the 100 greatest US films of all time, John Wayne plays Ethan Edwards, a genocidal racist - he shoots dozens of buffalo just so the Indians, who depend on them for food, will starve in the winter. He spends most of the film searching for his niece, who has been kidnapped by the Commanche. What is this morally challenging panorama of the American Southwest? Hint


Question 4 of 10
4. If the Duke's acknowledged masterworks don't grab you, perhaps an elegy will. In John Wayne's final film, he gives a chillingly autobiographical performance. He plays aging gunfighter J.B. Books, who has lived a life of adventure and violence - scenes from the Duke's old films are used as flashbacks - only to find himself rapidly dying of advanced cancer, while all around him are "modern" westerners, who either have no more use for his kind (now that the frontier is tamed) or who want to cash in on his celebrity. What is this bittersweet Don Siegel-directed film about the passing of an era? Hint


Question 5 of 10
5. Most John Wayne films I would recommend are generally acknowledged classics. Even an actor whose career has had the popular recognition of John Wayne's, however, has some rare gems that have not gotten their rightful due. Such is the case with this harrowing tale of a World War II-era aviation crew that crash land in Labrador during the -70F (-56C) winter. In this 1953 film, that was not seen for many years due to legal problems with John Wayne's estate, we see a character that has the trappings of the Duke's familiar confidence, but is at heart growing increasingly desperate and hopeless as he and his men slowly freeze and starve to death. What forgotten gem is this? Hint


Question 6 of 10
6. Sometimes the obvious John Wayne movie to recommend is almost too obvious. Such is the case with the Duke's first starring role in a major film, a seminal western from 1939 that Orson Welles screened forty times while making "Citizen Kane". In it, the Duke plays a young man gunning for the men who killed his brothers, who inadvertently comes to the aid of a mishmash of westerners who, for one reason or another, need to complete a stage ride through dangerous terriotry. What was this breakout role for the young John Wayne? Hint


Question 7 of 10
7. This quiz is built on giving you "something different" in your John Wayne experience. Along those lines, how about the truth: men like the characters John Wayne played may have "won" the west, but they couldn't run it. That is the theme of this 1962 film, the last western the Duke made with John Ford. In it, the Duke, admittedly, plays himself - in contrast with Jimmy Stewart, who plays a bookish but righteous man who rises to high office, largely on a reputation he does not deserve. What is this ironically titled film? Hint


Question 8 of 10
8. If you insist that you don't like John Wayne, you will force me to go to extreme measures: I recommend my mother's favorite John Wayne movie. This 1947 flick stars John Wayne as a revenge-driven man of violence (he cannot sleep without his gun) who falls in love with a Quaker woman, played by Gail Russell. (Guess how THAT turns out.) What is this quaint charmer of a movie? Hint


Question 9 of 10
9. OK, maybe you're STILL passing on the whole idea of watching a John Wayne movie. Maybe you're more in line for a "Lifetime Movie of the Week"? Well, the Duke made a few of those, too. They aren't broadcast as often as his starring roles these days because the Duke's mostly male fanbase doesn't generally appreciate John Wayne in such a subordinate role - but hey, we're being broadminded. If you'd like to see how the Duke did in support of leading comedienne Jean Arthur, for example, check out this 1943 "chick flick". Hint


Question 10 of 10
10. Finally, if none of these diverse, often challenging roles that the Duke undertook in his career appeal to the Duke-dissers out there, it may be time to pull out all the stops and go the Ed Wood route. The year was 1956. The plot: John Wayne as Ghengis Khan - and that's pretty much all you need to know. What camp classic am I talking about here? Hint



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quiz
Quiz Answer Key and Fun Facts
1. If I were going to introduce John Wayne to someone who hated his stereotypical cowboy horse operas, I'd suggest a sentimental 1952 movie set in rural Ireland. In it, John Wayne plays an Irish-born American millionaire, reticent about his past, returning home to flee some unnamed demons and begin a new life. He runs into trouble, however, when the woman he loves demands that he fight her strapping brother for her well-earned dowry, a fight that the Duke uncharacteristically refuses for reasons he keeps painfully to himself. What absolute classic of ensemble acting am I talking about here?

Answer: The Quiet Man

"The Quiet Man" co-stars Maureen O'Hara in some of the most erotically charged screen moments of either actor's career, albeit in a subtle manner that renders the film fine viewing for families. It also features Victor McLaglen as O'Hara's pathologically jealous brother. I'll make like the Duke and keep the title character's secret to myself for now, but let's just say that a non-fan of the big guy will be astounded at the restraint with which John Wayne expresses his inner turmoil, right up until the film's rousing, decidedly ungracious denouement. Along with favorite John Wayne costars O'Hara and McLaglen, "The Quiet Man" also stars Ward Bond, Barry Fitzgerald, and practically every Irish character actor working in Hollywood at the time.

It was directed by John Ford, who picked up an Oscar for his work.
2. If the John Wayne skeptic is unmoved by the sentimental Irish fare, perhaps a grimmer, even more against-type picture would be more effective. In this film, John Wayne plays early Texas rancher, Tom Dunson, driving his cattle north over a dangerous trail to Missouri. As the trek becomes more harrowing, the Duke's character, a stern, stone-cold killer from the beginning, begins to resemble, in John Wayne's own words, "Captain Bligh from 'Mutiny on the Bounty'". Eventually the aforementioned mutiny does come, led by Matt Garth, Dunson's partner since adolescence. Played by Montgomery Clift, Garth takes the herd over a shorter, safer route to Kansas, all the while haunted by Dunson's oath to kill him at the end of the trail. What is this brooding, complex, 1948 film.

Answer: Red River

Years later, director Howard Hawks recalled that he had first offered the role to Gary Cooper, who turned down the role because it would have been at odds with his public image. John Wayne took the challenge of playing against type, and the result is a stunner. After seeing this film, the Duke's favorite director, John Ford, supposedly turned to Hawks and said: "I didn't know the big [so-and-so] could act!" This led Ford to cast John Wayne in succeedingly more challenging parts, though his film image as a one-note player would persist for years.

It is interesting to note that, though he was up to the challenge of "Red River" in 1948, John Wayne balked at playing the Waco Kid in Mel Brooks' "Blazing Saddles" years later, citing, as Cooper did before him, that he had an image to maintain.
3. If your tastes in intense, anti-heroic challenges to ethical standards run to gorgeous panoramic color, this film should fill the bill. In this 1956 masterpiece, which came in at number 12 in the American Film Institute's 2007 poll of the 100 greatest US films of all time, John Wayne plays Ethan Edwards, a genocidal racist - he shoots dozens of buffalo just so the Indians, who depend on them for food, will starve in the winter. He spends most of the film searching for his niece, who has been kidnapped by the Commanche. What is this morally challenging panorama of the American Southwest?

Answer: The Searchers

Most hard-core John Wayne fans I know (i.e., the type who don't go for art films) don't care for this John Ford-directed effort, which makes stunning use of color cinematography in it's aptly-chosen Monument Valley setting. It is indeed disconcerting to see this iconic American figure so utterly wrongheaded from an ethical standpoint - with the full support of most of his peers, played by such luminaries as Ward Bond, Hank Worden and Vera Miles. Perhaps the most disturbing scene is when Ethan and his adopted nephew, Marty, finally find the missing girl, played by a young Natalie Wood. When she rejects them and claims to have become fully Commanche, Ethan's chilling response is to place his hand on his gun and growl to Marty: "Stand aside."

The big so-and-so most certainly could act.
4. If the Duke's acknowledged masterworks don't grab you, perhaps an elegy will. In John Wayne's final film, he gives a chillingly autobiographical performance. He plays aging gunfighter J.B. Books, who has lived a life of adventure and violence - scenes from the Duke's old films are used as flashbacks - only to find himself rapidly dying of advanced cancer, while all around him are "modern" westerners, who either have no more use for his kind (now that the frontier is tamed) or who want to cash in on his celebrity. What is this bittersweet Don Siegel-directed film about the passing of an era?

Answer: The Shootist

"The Shootist" co-stars veterans Jimmy Stewart and Lauren Bacall, but it is also memorable for a young Ron Howard, whose character Gilley is torn between the civilizing influence of his mother (Bacall) and the adventuresome life represented by Books.

The original ending had Gilley killing Books in a gunfight, an ending the canny Duke wisely rejected. The extant final scene where Gilley makes his decision is ambiguous, but also oddly satisfying. Quite a movie.
5. Most John Wayne films I would recommend are generally acknowledged classics. Even an actor whose career has had the popular recognition of John Wayne's, however, has some rare gems that have not gotten their rightful due. Such is the case with this harrowing tale of a World War II-era aviation crew that crash land in Labrador during the -70F (-56C) winter. In this 1953 film, that was not seen for many years due to legal problems with John Wayne's estate, we see a character that has the trappings of the Duke's familiar confidence, but is at heart growing increasingly desperate and hopeless as he and his men slowly freeze and starve to death. What forgotten gem is this?

Answer: Island in the Sky

In addition to John Wayne, the devoted movie fan will appreciate seeing Carl "Alfalfa" Switzer in a small role, as well as established actors Lloyd Nolan and Andy Devine and John Wayne protégés James Arness and Harry Carey Jr. in more substantive parts. Well done by all, but an exceptionally subtle performance by the Duke.
6. Sometimes the obvious John Wayne movie to recommend is almost too obvious. Such is the case with the Duke's first starring role in a major film, a seminal western from 1939 that Orson Welles screened forty times while making "Citizen Kane". In it, the Duke plays a young man gunning for the men who killed his brothers, who inadvertently comes to the aid of a mishmash of westerners who, for one reason or another, need to complete a stage ride through dangerous terriotry. What was this breakout role for the young John Wayne?

Answer: Stagecoach

Akira Kurosawa also cited "Stagecoach" as a primary influence on his world film classic "The Seven Samurai".

Prior to this film, John Wayne had been a B-movie star in cheap but technically innovative movies, often made with actor/stuntman Yakima Cannut. In "Stagecoach", the two collaborators brought stunt techniques (like being dragged by a team of horses) to top-flight productions, making for thrilling scenes that enliven a first-class film.
7. This quiz is built on giving you "something different" in your John Wayne experience. Along those lines, how about the truth: men like the characters John Wayne played may have "won" the west, but they couldn't run it. That is the theme of this 1962 film, the last western the Duke made with John Ford. In it, the Duke, admittedly, plays himself - in contrast with Jimmy Stewart, who plays a bookish but righteous man who rises to high office, largely on a reputation he does not deserve. What is this ironically titled film?

Answer: The Man Who Shot Liberty Valance

I won't give away the crux of the film's title - let's just say that John Wayne, though mostly relying on his trademark bravado (this film is the origin of the oft-quoted line "take it easy there, pilgrim"), also gives a nuanced performance as a man who knows he is beaten by a foe he can't even fight - his own limitations. So, he is complicit in a lie - a benevolent lie, but a lie nonetheless.

As the newspaperman near the film's end says: "When the legend becomes fact, print the legend."
8. If you insist that you don't like John Wayne, you will force me to go to extreme measures: I recommend my mother's favorite John Wayne movie. This 1947 flick stars John Wayne as a revenge-driven man of violence (he cannot sleep without his gun) who falls in love with a Quaker woman, played by Gail Russell. (Guess how THAT turns out.) What is this quaint charmer of a movie?

Answer: Angel and the Badman

"Angel and the Badman" marked John Wayne's first turn as a producer. Like "The Searchers" and "Stagecoach", it was filmed in Monument Valley, Arizona. It was written and directed by Jimmy Grant, who would be John Wayne's personal dialogue writer on numerous films for many years to come - often creating great friction between the Duke, Grant, and strong directors like Frank Capra.
9. OK, maybe you're STILL passing on the whole idea of watching a John Wayne movie. Maybe you're more in line for a "Lifetime Movie of the Week"? Well, the Duke made a few of those, too. They aren't broadcast as often as his starring roles these days because the Duke's mostly male fanbase doesn't generally appreciate John Wayne in such a subordinate role - but hey, we're being broadminded. If you'd like to see how the Duke did in support of leading comedienne Jean Arthur, for example, check out this 1943 "chick flick".

Answer: A Lady Takes a Chance

Yes, Gats, John Wayne and Jean Arthur. She goes on a bus tour west, falls in with the Duke (playing a professional rodeo rider), and, after the obligatory hating of one another, opposites attract. (I'm not buying it myself - John Wayne had more self-esteem than this - but I didn't buy "My Big Fat Greek Wedding", either. If you liked one, you'll probably like the other.)

Other films of the 1940s where John Wayne takes second billing to an established screen actress include "Without Reservations", where he plays in support of Claudette Colbert, "Reunion in France", where he provides counterpoint to Joan Crawford, and "Seven Sinners", where he joins an ensemble cast around Marlene Dietrich.
10. Finally, if none of these diverse, often challenging roles that the Duke undertook in his career appeal to the Duke-dissers out there, it may be time to pull out all the stops and go the Ed Wood route. The year was 1956. The plot: John Wayne as Ghengis Khan - and that's pretty much all you need to know. What camp classic am I talking about here?

Answer: The Conqueror

According to director Dick Powell, John Wayne himself picked this ludicrous script out of a pile of rejects, enthusiastically pitching for the film to be made. In Powell's own words, "Who am I to turn down John Wayne?" Of course, it is just possible that, since this was the last film on the Duke's contract with Howard Hughes-owned RKO pictures, the big guy may have wanted to intentionally stick the rich guy with a clinker. In this uproarious tale, the Mongol generalissimo consolidates his power and deals with treacherous subordinates, all while courting Tatar princess Susan Hayward with romantic lines like: "Tatar woman, I take you for wife!"

Ironically, this film was shot near atomic test sites and truckloads of soil from those sites were brought to Hollywood to match interior shots. This may have influenced the high incidence of cancer among the cast and crew, including the Duke. An odd and sad aspect to what is otherwise one of the most hilariously inept historical dramas in the history of cinema. If you're a fan of "so bad they're good" movies, this is mandatory viewing. (Why do I get the sinking feeling that this will be the one that Gatsby actually likes? Oy, veh.)
Source: Author stuthehistoryguy

This quiz was reviewed by FunTrivia editor skunkee before going online.
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