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Quiz about Universals Frankenstein Series
Quiz about Universals Frankenstein Series

Universal's Frankenstein Series Quiz


A tribute to the classic persona created by Boris Karloff and carried forward by Universal Studios. The series spanned eight films, seventeen years - and several other characters!

A multiple-choice quiz by stuthehistoryguy. Estimated time: 6 mins.
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Time
6 mins
Type
Multiple Choice
Quiz #
236,429
Updated
Dec 03 21
# Qns
10
Difficulty
Average
Avg Score
6 / 10
Plays
1084
Awards
Top 5% quiz!
Last 3 plays: Guest 67 (10/10), gracious1 (10/10), Guest 98 (10/10).
Question 1 of 10
1. Most film historians agree that Universal's "Frankenstein" films ranged in quality from near-masterpiece to tired and predictable - though all of them have their moments of fun! Which of these films was NOT produced by Universal between 1931 and 1948? Hint


Question 2 of 10
2. Seven of the eight films in this series featured the name "Frankenstein" in their title. The one exception, released in 1945, was entitled "House of ____"?

Answer: (One Word - character played by John Carradine in the film)
Question 3 of 10
3. As mentioned in the introduction, the character of the Frankenstein monster was first played (in a Universal picture) by Boris Karloff in James Whale's 1931 film "Frankenstein". In how many films of this series would Karloff appear? Hint


Question 4 of 10
4. Coming off his archetypal turn as Dracula in the film of the same name, Bela Lugosi was offered the role of Frankenstein's Monster in the 1931 movie, but declined, according to popular anecdote, because he would not be recognized under the makeup and would have no lines. As time went by, Lugosi would end up playing three roles in the Frankenstein series. Which of these was NOT one of them? Hint


Question 5 of 10
5. Over all eight films in the Universal series, how many actors would be credited with playing Frankenstein's Monster? Hint


Question 6 of 10
6. Though various actors would play Frankenstein's Monster and Dracula in the series, only one would ever play the Wolf Man for Universal (nonwithstanding Henry Hull's turn in the unrelated "Werewolf of London" in 1935). Who was this? Hint


Question 7 of 10
7. After scripting "The Invisible Man Returns", "The Wolf Man", and "The Invisible Agent", a well-respected screenwriter quipped: "I wonder what's next, 'Frankenstein Meets the Wolf Man'?" Within weeks, a work order for that very project was on his desk. Who was this veteran scribe? Hint


Question 8 of 10
8. In the early 1970s, Universal horror fan Mel Brooks was planning a loving spoof of the Frankenstein series and wanted to make it look as genuine as possible. To this end, he visited the man who did the special effects for the original Frankenstein laboratory, Kenneth Strickfadden, and asked him if he could refabricate the set for the new project. Smiling, Strickfadden beckoned Brooks to the garage. There, beneath a few canvas tarps, were the instruments used in Universal's Frankenstein series - Strickfadden had saved them for nearly thirty years! Brooks would use the classic props in his new film, a masterpiece in its own right. What was this loving parody?

Answer: (Two Words)
Question 9 of 10
9. Strickfadden's electrical firestorms were certainly memorable, but perhaps the most indelible memory from the Frankenstein series was the creature's makeup, applied in a painstaking process that took hours every day. Who was the master craftman who created this look - and was also responsible for the gradually applied makeup that made the Wolf Man's transformation equally memorable? Hint


Question 10 of 10
10. Though it was denigrated for years as the bottom of the series' barrel, the final Universal Frankenstein film, "Abbott and Costello Meet Frankenstein", has garnered renewed respect in recent years. Film historians are particularly impressed at how the series' veterans seem not to appreciate that they are in a comedy, playing their roles as straight horror and letting the comic duo get the laughs. What great antihero of the horror film puts in a cameo (of sorts) at the end of this film? Hint



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quiz
Quiz Answer Key and Fun Facts
1. Most film historians agree that Universal's "Frankenstein" films ranged in quality from near-masterpiece to tired and predictable - though all of them have their moments of fun! Which of these films was NOT produced by Universal between 1931 and 1948?

Answer: Curse of Frankenstein

"Curse of Frankenstein" was produced by Britain's Hammer Studios in 1957. It told the story of how Baron Frankenstein pursued the goal of reanimating dead tissue up through his adolescence, culminating in the creature's creation and the inevitable problems it caused. "Curse of Frankenstein" starred Christopher Lee (who more recently shone in the "Star Wars" prequels and the "Lord of the Rings" series) as the creature, with Peter Cushing (later Grand Moff Tarkin in "Star Wars") playing the eponymous Doctor. Both actors, interestingly enough, had played in the Lawrence Olivier-directed "Hamlet", released in 1948.
2. Seven of the eight films in this series featured the name "Frankenstein" in their title. The one exception, released in 1945, was entitled "House of ____"?

Answer: Dracula

"House of Dracula" was the seventh film in the series. Though some may see it as the last step in a long decline in the films' quality, it does feature some interesting turns and twists, including an ironic take on the "hunchback" stock character. In "House of Dracula", the hunchback was played by the lovely Jane Adams and, despite the film's lurid trailer, she was anything but monstrous.

The film's denouement was predicated on the film's "mad" Dr. Edelman (played with relish by Onslow Stevens) racing to cure her deformity before succumbing to the insanity forced upon him by an infusion of Dracula's blood. If you're wondering how the Frankenstein Monster plays into this, you're not alone.
3. As mentioned in the introduction, the character of the Frankenstein monster was first played (in a Universal picture) by Boris Karloff in James Whale's 1931 film "Frankenstein". In how many films of this series would Karloff appear?

Answer: 4

This is something of a trick question. Karloff followed his definitive role in "Frankenstein" with a similar performance in "Bride of Frankenstein". This second performance is held by many film historians to be superior to the original, and marks a definite progression of the character, including his acquisition of speech.

In Karloff's third turn as the creature in "Son of Frankenstein", however, we see the character reduced to an aphasic brute manipulated by Bela Lugosi's Igor. Karloff's final appearance in the series came as the "mad scientist" Gustav Niemann in "House of Frankenstein"; the Monster was played by Glenn Strange.
4. Coming off his archetypal turn as Dracula in the film of the same name, Bela Lugosi was offered the role of Frankenstein's Monster in the 1931 movie, but declined, according to popular anecdote, because he would not be recognized under the makeup and would have no lines. As time went by, Lugosi would end up playing three roles in the Frankenstein series. Which of these was NOT one of them?

Answer: The Mummy

Of these, Lugosi's role as Igor in "Son of Frankenstein" is probably his greatest achievement. Originally a small role, Lugosi's performance was so impressive that additional scenes were written to take full advantage of his characterization. He would revisit the part in "Ghost of Frankenstein", and would provide the voice of Frankenstein's Monster in that film after Igor's brain was transplanted into the creature's much-abused cranium. Lugosi finally played Frankenstein's Monster in "Frankenstein Meets the Wolf Man"; turnabout being fair play, his role was drastically cut in this film because preview audiences found his dialogue to be unintentionally hilarious. Finally, Lugosi would reprise his role as Dracula to seriocomic effect in "Abbott and Costello Meet Frankenstein".

The Mummy does not appear at all in the Frankenstein series, though Universal would make five separate Mummy pictures - one starring Boris Karloff as the sinister and powerful Imhotep, and four others starring Tom Tyler and Lon Chaney, Jr. as the less intimidating Kharis.
5. Over all eight films in the Universal series, how many actors would be credited with playing Frankenstein's Monster?

Answer: 4

Boris Karloff played the Monster in the first three films: "Frankenstein", "Bride of Frankenstein", and "Son of Frankenstein". Lon Chaney, Jr. took the role in "Ghost of Frankenstein", followed by Bela Lugosi in "Frankenstein Meets the Wolf Man" and Glenn Strange in the final three films: "House of Frankenstein", "House of Dracula", and "Abbott and Costello Meet Frankenstein".

By the end of the run, the Monster's role had been reduced to token rampages at the end of each picture.
6. Though various actors would play Frankenstein's Monster and Dracula in the series, only one would ever play the Wolf Man for Universal (nonwithstanding Henry Hull's turn in the unrelated "Werewolf of London" in 1935). Who was this?

Answer: Lon Chaney, Jr.

Chaney originated the role of the doomed lycanthrope, Larry Talbot, in 1941's "The Wolf Man", then reprised the role in the last four films in this series - which, depending on how you look at it, are as much sequels to "The Wolf Man" as they are to "Frankenstein". Talbot found himself cured by the end of "House of Dracula" (which even carried the working title of "The Wolf Man's Cure"), but the curse had somehow been restored by "Abbott and Costello Meet Frankenstein", which featured a brilliant scene where Lou Costello masterfully riffed on Talbot's by-then-familiar homilies of pathos: "Tonight, I will turn into a wolf!" "You and a million other guys, pal."
7. After scripting "The Invisible Man Returns", "The Wolf Man", and "The Invisible Agent", a well-respected screenwriter quipped: "I wonder what's next, 'Frankenstein Meets the Wolf Man'?" Within weeks, a work order for that very project was on his desk. Who was this veteran scribe?

Answer: Curt Siodmak

A native of Germany, Siodmak emigrated to the United States after hearing an anti-Semitic speech by Hitler confidante Joseph Geobbels. He was philosophic about his expatriate status, once saying that: "Every night I say 'Heil Hitler', because without the [expletive deleted], I wouldn't be in Three Rivers, California, I'd still be in Berlin."
8. In the early 1970s, Universal horror fan Mel Brooks was planning a loving spoof of the Frankenstein series and wanted to make it look as genuine as possible. To this end, he visited the man who did the special effects for the original Frankenstein laboratory, Kenneth Strickfadden, and asked him if he could refabricate the set for the new project. Smiling, Strickfadden beckoned Brooks to the garage. There, beneath a few canvas tarps, were the instruments used in Universal's Frankenstein series - Strickfadden had saved them for nearly thirty years! Brooks would use the classic props in his new film, a masterpiece in its own right. What was this loving parody?

Answer: Young Frankenstein

"Young Frankenstein" facetiously told the story of how Doctor Frankenstein's grandson returned to Transylvania to settle the family estate, only to be seduced into following in his family's footsteps and creating his own creature. In the original series, one of Strickfadden's most memorable effects was the frighteningly realistic lightning that crackled above the Monster as he was lowered to the ground.

This was created by having two stagehands duel with charged carbon rods - right above the defenseless Boris Karloff watching the spectacle from the slab! Karloff later remarked that his only thought was: "I hope neither of them has butterfingers."
9. Strickfadden's electrical firestorms were certainly memorable, but perhaps the most indelible memory from the Frankenstein series was the creature's makeup, applied in a painstaking process that took hours every day. Who was the master craftman who created this look - and was also responsible for the gradually applied makeup that made the Wolf Man's transformation equally memorable?

Answer: Jack Pierce

"Son of Frankenstein" was originally planned to be shot in color. Pierce's makeup, however, was based on blue-green beauty clay, as was Pierce's equally memorable makeup for "The Mummy" (1932). The shade just did not look right, and the plan was scrapped. Pierce did the makeup for each of the first seven films in the series, being supplanted by less artistic (and also less arduous) prosthetics in "Abbott and Costello Meet Frankenstein".
10. Though it was denigrated for years as the bottom of the series' barrel, the final Universal Frankenstein film, "Abbott and Costello Meet Frankenstein", has garnered renewed respect in recent years. Film historians are particularly impressed at how the series' veterans seem not to appreciate that they are in a comedy, playing their roles as straight horror and letting the comic duo get the laughs. What great antihero of the horror film puts in a cameo (of sorts) at the end of this film?

Answer: Vincent Price

Having survived the assaults of Dracula, the Wolf Man, and Frankenstein's Monster, Abbott and Costello are subjected to one final scare from the Invisible Man, voiced by Vincent Price. This thriller icon had played the role in 1940's "The Invisible Man Returns". Thanks for playing. (If this quiz goes over well, prepare for a sequel!)
Source: Author stuthehistoryguy

This quiz was reviewed by FunTrivia editor skunkee before going online.
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