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Quiz about The Metropolitan Opera Radio Broadcasts
Quiz about The Metropolitan Opera Radio Broadcasts

The Metropolitan Opera Radio Broadcasts Quiz


Celebrating "the longest continuous sponsorship in radio history" - focusing on the glory days of Met broadcasts. (This quiz will reach WAY back into the storied history of the broadcasts, rather than deal with current events.)

A multiple-choice quiz by LoriPrince. Estimated time: 8 mins.
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Author
LoriPrince
Time
8 mins
Type
Multiple Choice
Quiz #
396,765
Updated
Dec 03 21
# Qns
10
Difficulty
Very Difficult
Avg Score
4 / 10
Plays
113
- -
Question 1 of 10
1. The Metropolitan Opera radio broadcasts began on 25 December 1931 - yes, on Christmas Day. Which opera was broadcast, whole and entire, on NBC that afternoon? Hint


Question 2 of 10
2. Most of the operas broadcast from the Metropolitan Opera during the 1931-32 and 1932-33 seasons were broadcast in part - one or two acts rather than the whole opera. (And a number of Met broadcasts were on a day other than Saturday!) But a number of operas were, indeed, broadcast whole and entire during those two seasons. Which of these operas was NOT broadcast complete, whole, and entire during the 1931-32 and/or 1932-33 season?

(N.B.: All four operas were broadcast at least once during one or the other (or both) of those seasons.)
Hint


Question 3 of 10
3. Which radio announcer became known as "the voice of the Metropolitan Opera" as the long-time announcer/commentator for the Met broadcasts, beginning with the first broadcast on 25 December 1931 and continuing through his death on 3 December 1975? Hint


Question 4 of 10
4. Over the years, Metropolitan Opera radio broadcasts have, on occasion, featured a singer making his/her company debut. One of the first was soprano Kirsten Flagstad. Which role did she sing for her Met debut at the Saturday matinee broadcast of 2 February 1935? Hint


Question 5 of 10
5. Speaking of singers who made their Metropolitan Opera debuts at a Saturday matinee radio broadcast: Which of the following singers did NOT make his/her Met debut at a Saturday matinee radio broadcast during the 1941-42 season? Hint


Question 6 of 10
6. During the 1930s, the Met broadcasts were sponsored at various times by NBC, by the American Tobacco Company, by Lambert Pharmaceutical Company, and by RCA (NBC's parent company). Beginning with the 7 December 1940 Met broadcast of Mozart's "Le nozze di Figaro," the sole sponsor of the Met broadcasts was the Texas Company (aka Texaco), whose sponsorship of the Met continued through its 1990s merger with Chevron, ending with the conclusion of the 2003-2004 season; indeed, the longest continuous sponsorship of a program in radio history. Emergency grants allowed Met broadcasts to continue, unsponsored, during the 2004-2005 season.

Which company succeeded Texaco as primary sponsor of the Met broadcasts, beginning with the 2005-2006 season?
Hint


Question 7 of 10
7. A number of Metropolitan Opera principal singers have set recent modern records for longevity and number of Saturday-matinee broadcasts, particularly such singers as Placido Domingo, James Morris, and Paul Plishka. But, before them, the record for most Met Saturday matinee broadcasts by a principal singer was 85 Met Saturday-afternoon radio broadcasts over the course of only 22 seasons. Which singer racked up this impressive total? Hint


Question 8 of 10
8. On rare occasions back in the day, the Metropolitan Opera would broadcast on a Saturday night rather than on a Saturday afternoon, particularly if New Year's Day fell on a Saturday (so as not to compete with the broadcasts of the major college-football bowl games on the radio in the afternoon).

However, there was one season in which the Metropolitan Opera's first Saturday broadcast of the season was broadcast in the evening - and it wasn't New Year's Day! In which year did this evening broadcast of Verdi's "Ernani" occur?
Hint


Question 9 of 10
9. In 1966, for the first time in almost 34 years, the Metropolitan Opera broadcast season included the world-premiere performance of an opera. What was unusual about this particular broadcast performance of the world premiere of an opera? Hint


Question 10 of 10
10. The first and last Saturday-matinee radio broadcasts of the 22-year tenure of Sir Rudolf Bing as General Manager of the Metropolitan Opera (1950-1972) were of the same opera. Which opera? Hint



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Quiz Answer Key and Fun Facts
1. The Metropolitan Opera radio broadcasts began on 25 December 1931 - yes, on Christmas Day. Which opera was broadcast, whole and entire, on NBC that afternoon?

Answer: Hansel und Gretel (Humperdinck)

"Hansel and Gretel" was paired with "I pagliacci" that Christmas afternoon, but "I pagliacci" was not broadcast.

In the cast of "Hansel und Gretel" were Editha Fleischer as Hansel, Queena Mario as Gretel, Henriette Wakefield as Gertrud, Gustav Schutzendorf as Peter, Dorothee Manski as the Witch, Dorothea Flexer as the Sandman, and Pearl Besuner as the Dew Fairy. Karl Riedel conducted.

(Composer Deems Taylor served as narrator for this broadcast performance, providing commentary from a specially-constructed glass booth in one of the Grand Tier boxes. Problem was, his narration continued throughout the opera, while the singers were singing and the orchestra was playing. NBC received a good many telegraphed complaints about Taylor's commentary during the music, so Taylor scaled back his comments for the rest of the broadcasts that season - and the "narration" during the music was done away with entirely the following season.)
2. Most of the operas broadcast from the Metropolitan Opera during the 1931-32 and 1932-33 seasons were broadcast in part - one or two acts rather than the whole opera. (And a number of Met broadcasts were on a day other than Saturday!) But a number of operas were, indeed, broadcast whole and entire during those two seasons. Which of these operas was NOT broadcast complete, whole, and entire during the 1931-32 and/or 1932-33 season? (N.B.: All four operas were broadcast at least once during one or the other (or both) of those seasons.)

Answer: Sadko (Rimsky-Korsakov)

Only Act II of "Sadko" was broadcast on 12 March 1932. (The opera was performed in French rather than the original Russian.) Cast principals included Georges Thill, Editha Fleischer, Pavel Ludikar, Ina Bourskaya, Faina Petrova, Max Altglass, and Alfio Tedesco. Tullio Serafin conducted.

"Das Rheingold" was broadcast, complete and uncut, on 26 February 1932 (and was broadcast in part on 27 January 1933). Cast principals included Michael Bohnen, Gertrude Kappel, Gustav Schutzendorf, Rudolf Laubenthal, Marek Windheim, James Wolfe, Siegfried Tappolet, Gota Ljungberg, and Ernestine Schumann-Heink. Artur Bodanzky conducted.

"Elektra" was broadcast complete on 3 December 1932; that broadcast performance was also the Metropolitan Opera premiere of "Elektra." The cast principals were Gertrude Kappel, Gota Ljungberg, Karin Branzell, Friedrich Schorr, and Rudolf Laubenthal. Artur Bodanzky conducted.

The world-premiere performance of "The Emperor Jones" (music by Louis Gruenberg, libretto adapted from Eugene O'Neill's play by Kathleen DeJaffa and the composer) was broadcast complete from the stage of the Met on the radio on 7 January 1933. Lawrence Tibbett sang Brutus Jones; Marek Windheim sang Henry Smithers; Pearl Besuner sang a native woman; and Hemsley Winfield played the Congo witch doctor. Tullio Serafin conducted. ("I pagliacci" was also performed that afternoon, but was not broadcast.)

Beginning with the 1933-34 season, all of the operas broadcast from the Metropolitan Opera were broadcast on Saturday afternoons (with a few exceptions made for "Hansel und Gretel" and the occasional student-matinee broadcast), and complete.
3. Which radio announcer became known as "the voice of the Metropolitan Opera" as the long-time announcer/commentator for the Met broadcasts, beginning with the first broadcast on 25 December 1931 and continuing through his death on 3 December 1975?

Answer: Milton Cross

In the 43 years that Milton Cross served as announcer/commentator of the Met broadcasts, he missed only 2 broadcasts, those being in February of 1973 following the death of his wife, Lillian. Ironically, he died of a heart attack at his home while preparing for the next afternoon's Met broadcast of Rossini's "L'Italiana in Algeri."

Peter Allen (who had worked as a staff announcer at WQXR-AM in New York City, and who had substituted for Mr. Cross at those two February 1973 Met broadcasts which Mr. Cross missed) succeeded Mr. Cross as announcer/commentator of the Met broadcasts on 4 January 1975, serving in that capacity until May of 2004, when he retired. (He died on 8 October 2016, at the age of 96.)

Allen was succeeded as announcer/commentator by Margaret Juntwait, who served as announcer/commentator until 31 December 2014, when she stepped down because of illness. (She died of ovarian cancer on 3 June 2015, at the age of only 58.)

Edward Downes (son of long-time New York Times music critic Olin Downes) served as quizmaster for the Texaco Opera Quiz for many years; the Opera Quiz was a regular intermission feature between Act II and Act III of Met broadcasts.
4. Over the years, Metropolitan Opera radio broadcasts have, on occasion, featured a singer making his/her company debut. One of the first was soprano Kirsten Flagstad. Which role did she sing for her Met debut at the Saturday matinee broadcast of 2 February 1935?

Answer: Sieglinde in Wagner's "Die Walkure"

Met General Manager Giulio Gatti-Casazza didn't "hype" Flagstad's debut at all, preferring to surprise the Met public. Well, both those in the opera house and those who listened to "Die Walkure" that afternoon were highly pleased with Flagstad's performance as Sieglinde.

Also in the cast that afternoon were Gertrude Kappel as Brunnhilde, Friedrich Schorr as Wotan, Paul Althouse as Siegmund, Emanuel List as Hunding, and Maria Olszewska as Fricka. Artur Bodanzky conducted.

(Flagstad did, indeed, broadcast Isolde, Kundry, and Leonore at the Met during the course of her career there.)
5. Speaking of singers who made their Metropolitan Opera debuts at a Saturday matinee radio broadcast: Which of the following singers did NOT make his/her Met debut at a Saturday matinee radio broadcast during the 1941-42 season?

Answer: Bidu Sayao

Bidu Sayao did make her Met debut at a Saturday-matinee radio broadcast, but not in 1941-42. Her Met debut was on 13 February 1937, singing the title role in Massenet's "Manon," with Sidney Rayner, Richard Bonelli, Chase Baromeo, Angelo Bada, and George Cehanovsky, among others. Maurice de Abravanel conducted.

Jan Peerce's Met debut came at the Saturday-matinee radio broadcast of 29 November 1941, as Alfredo Germont in Verdi's "La traviata," with Jarmila Novotna and Lawrence Tibbett. Ettore Panizza conducted (substituting for Gennaro Papi, who died of a heart attack that morning).

The following Saturday afternoon, 6 December 1941 (yes, the day before the Japanese bombed Pearl Harbor), Astrid Varnay made her Met debut a little earlier than planned, singing Sieglinde in Wagner's "Die Walkure" in place of an indisposed Lotte Lehmann. Also in the principal cast were Helen Traubel, Friedrich Schorr, Lauritz Melchior, Alexander Kipnis, and Kerstin Thorborg. Erich Leinsdorf conducted.

Lily Djanel made her Met debut on Saturday afternoon, 24 January 1942, singing the title role in Bizet's "Carmen." Her co-stars were Charles Kullmann, Leonard Warren, and Licia Albanese. Sir Thomas Beecham conducted.
6. During the 1930s, the Met broadcasts were sponsored at various times by NBC, by the American Tobacco Company, by Lambert Pharmaceutical Company, and by RCA (NBC's parent company). Beginning with the 7 December 1940 Met broadcast of Mozart's "Le nozze di Figaro," the sole sponsor of the Met broadcasts was the Texas Company (aka Texaco), whose sponsorship of the Met continued through its 1990s merger with Chevron, ending with the conclusion of the 2003-2004 season; indeed, the longest continuous sponsorship of a program in radio history. Emergency grants allowed Met broadcasts to continue, unsponsored, during the 2004-2005 season. Which company succeeded Texaco as primary sponsor of the Met broadcasts, beginning with the 2005-2006 season?

Answer: Toll Brothers

Toll Brothers' business is the construction of custom luxury houses.

Funding for Met broadcasts also now comes from the Annenberg Foundation, from the Vincent A. Stabile Endowment for Broadcast Media, and from contributions from listeners nationwide.
7. A number of Metropolitan Opera principal singers have set recent modern records for longevity and number of Saturday-matinee broadcasts, particularly such singers as Placido Domingo, James Morris, and Paul Plishka. But, before them, the record for most Met Saturday matinee broadcasts by a principal singer was 85 Met Saturday-afternoon radio broadcasts over the course of only 22 seasons. Which singer racked up this impressive total?

Answer: Leonard Warren

Leonard Warren sang his first Met broadcast on 21 January 1939, as Paolo Albiani in Verdi's "Simon Boccanegra," in the company of principals Lawrence Tibbett, Ezio Pinza, Giovanni Martinelli, and Elisabeth Rethberg, with Ettore Panizza conducting.

What turned out to be his final Met Saturday-matinee broadcast was on 2 January 1960; he sang the title role in Verdi's "Macbeth," with Leonie Rysanek, Jerome Hines, and Daniele Barioni. Erich Leinsdorf conducted. Had he not died way too soon (heart attack during the 4 March Met performance of Verdi's "La forza del destino"; age 48), he would have sung three more Met broadcasts that season ("La forza del destino," "Tosca," and "Simon Boccanegra") and at least three more the following season ("Nabucco," "Il trovatore," and "Simon Boccanegra" - and maybe "Rigoletto" as well).

The most Saturday-matinee broadcasts that Warren sang in any Met season was EIGHT, in 1943-44: Rangoni in "Boris Godunov" (in Italian), the title role in "Rigoletto," Lord Enrico Ashton in "Lucia di Lammermoor," Renato in "Un ballo in maschera" (twice: once regular-season, and once on tour), Sir John Falstaff in "Falstaff" (in English), Il conte di Luna in "Il trovatore," and Tonio in "I pagliacci."
8. On rare occasions back in the day, the Metropolitan Opera would broadcast on a Saturday night rather than on a Saturday afternoon, particularly if New Year's Day fell on a Saturday (so as not to compete with the broadcasts of the major college-football bowl games on the radio in the afternoon). However, there was one season in which the Metropolitan Opera's first Saturday broadcast of the season was broadcast in the evening - and it wasn't New Year's Day! In which year did this evening broadcast of Verdi's "Ernani" occur?

Answer: 1962

To be precise, the broadcast aired on 1 December 1962. Cast principals were Carlo Bergonzi (Ernani), Leontyne Price (Elvira), Cornell MacNeil (Don Carlo), and Giorgio Tozzi (Don Ruy Gomez da Silva). Thomas Schippers conducted.
9. In 1966, for the first time in almost 34 years, the Metropolitan Opera broadcast season included the world-premiere performance of an opera. What was unusual about this particular broadcast performance of the world premiere of an opera?

Answer: The broadcast was on opening night of the season, not a Saturday matinee.

Texaco did, indeed, sponsor the opening-night radio broadcast of Samuel Barber's "Antony and Cleopatra" on Friday, 16 September 1966. This was not only the world-premiere performance of the opera, but it was also the first performance of the Metropolitan Opera's first full season in their new house in Lincoln Center. (In the spring of 1966, the Met had performed one student matinee performance of Puccini's "La fanciulla del West" in the new house.)

Cast principals for the broadcast were Justino Diaz, Leontyne Price, Jess Thomas, Ezio Flagello, Rosalind Elias, Belen Amparan, and Andrea Velis - NONE of whom suffered a heart attack during the performance. Thomas Schippers conducted.

(The stage machinery did break down, but that was BEFORE opening night, during rehearsals for "Antony and Cleopatra." That necessitated some creative solutions to some problems, such as moving a full-size model of the Sphinx onto the stage.)
10. The first and last Saturday-matinee radio broadcasts of the 22-year tenure of Sir Rudolf Bing as General Manager of the Metropolitan Opera (1950-1972) were of the same opera. Which opera?

Answer: Don Carlos (Verdi)

"Don Carlos" was performed in an Italian translation, rather than in the original French.

The broadcast on 11 November 1950 featured Jussi Bjoerling, Robert Merrill, Cesare Siepi, Delia Rigal, Fedora Barbieri, Jerome Hines, and a young soprano named Lucine Amara (as the off-stage Celestial Voice). Fritz Stiedry conducted.

The broadcast on 22 April 1972 featured Franco Corelli, Sherrill Milnes, Cesare Siepi, Montserrat Caballe, Grace Bumbry, John Macurdy, and a not-quite-as-young soprano named Lucine Amara (who graciously agreed to broadcast the Celestial Voice again, though she had been singing principal roles at the Met for 18 years). Francesco Molinari-Pradelli conducted.
Source: Author LoriPrince

This quiz was reviewed by FunTrivia editor 1nn1 before going online.
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