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1. World renowned 20th century sculptor and painter Alberto Giacometti was ethnically Italian, but born in which other European country in October 1901?
2. Giacometti's childhood was replete with art experiences, his earliest childhood memories were of drawings he did of fairy tale stories. During his teens, he finally settled on art school, but his first significant emotional experiences with art came during a trip to Italy in 1920. Giacometti's most profound and psychologically devastating impessions were related to the work of which of these early Renaissance painters, famous for his frescoes in Padua?
3. In the mid-1920s Alberto found himself in Paris, the center of the art world at the time. From 1922 to 1925, he worked under the watchful guise of which well-established sculptor?
4. By 1925, Alberto had set up his own atelier, with the help of his favorite brother. What was his beloved brother's name?
5. Around 1930, Giacometti fell in with one of the leading avant-garde movements of that era. With which movement was Alberto identified until around 1935?
6. Before the outbreak of World War II, Giacometti was involved in an auto accident which left him partially lame. Though a terrible occurrence in his life, this incident did allow him an exemption from military service during the war. By 1941, with the dangers of war hovering over Paris, he made his way to which city for safety reasons?
7. It was during the late 1940s that the characteristic style that made Giacometti famous was developed. Which of these descriptions best fits the typical work that made him famous?
8. An admirer of Giacometti's work, which modern philosopher befriended Alberto and frequently wrote about his interesting sculpture and painting?
9. Alberto uttered several memorable quotes during his art career. One of my favorites relates to his obsession with the shrinking figure. Complete the Giacometti quote: "I could not understand it. All my statues ended up one centimeter high. One touch more and hop! _______________."
10. True or false: Though Alberto shunned fame, fortune and material comforts, he did eventually accept a prize for his sculpture.
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