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Quiz about 10 Paintings Renaissance Masters
Quiz about 10 Paintings Renaissance Masters

10 Paintings: Renaissance Masters Quiz


Here are ten paintings of the Italian Renaissance by some not-so-wildly-famous artists. There were several painters whose names were not Leonardo da Vinci!

A photo quiz by trident. Estimated time: 3 mins.
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Author
trident
Time
3 mins
Type
Photo Quiz
Quiz #
411,763
Updated
Feb 12 23
# Qns
10
Difficulty
Easy
Avg Score
8 / 10
Plays
444
Awards
Top 5% quiz!
Last 3 plays: Guest 155 (7/10), davejacobs (6/10), Yuppie (1/10).
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Question 1 of 10
1. In this Titian painting, two mythological figures are present (and make up the title of the painting). One is Ariadne, abandoned on an island by Theseus. Leading a group of revelers in a cheetah-drawn chariot, who is the other mythological figure? Hint


Question 2 of 10
2. Most Renaissance painters, including da Vinci, painted the Last Supper scene from a front-facing perspective. Which Venetian painter instead depicted the scene from this altered perspective? Hint


Question 3 of 10
3. "Portrait of a Woman with a Man at a Casement" (c. 1440) depicts a domestic setting in which a man just barely pokes his head into a window to gaze at a woman (likely his betrothed). It was painted by the fascinating Italian Renaissance artist Filippo Lippi, who was also of what profession? Hint


Question 4 of 10
4. "Lamentation of Christ" (c. 1480) by Andrea Mantegna was ahead of its time in certain ways. It is now the consummate example in Italian Renaissance art of which perspective technique, which gives the human body depth in a painting? Hint


Question 5 of 10
5. Sofonisba Anguissola painted this 1555 masterpiece with the subjects believed to be her sisters. What game of the intelligentsia are her sisters playing in the painting? Hint


Question 6 of 10
6. "The Tribute Money" (c. 1425) by Masaccio depicts one of Jesus' biblical miracles from the Gospel of Matthew in which a coin appears in which creature's mouth? Hint


Question 7 of 10
7. Described by art historian John Pope-Hennessy as "by far the greatest fifteenth-century official portraitist," Giovanni Bellini shows off his talents by painting which political figure here? Hint


Question 8 of 10
8. This painting by Piero della Francesca was likely painted between 1468-1470 and features a prominent scene in the Bible. Interestingly, Jesus is not one of the figures in the foreground, but can be found instead in the background. What is the title of the painting? Hint


Question 9 of 10
9. Located (rather appropriately) in the Uffizi, this panel of "The Battle of San Romano" (c.1435-1460) by Paolo Uccello depicts a battle between Sienese and what other forces? Hint


Question 10 of 10
10. Pietro Perugino's pupil, Raphael, designed the tapestries that hung on its walls. Michelangelo's art graced its ceiling. And pictured here, "The Delivery of the Keys" (c. 1481-1482) by Pietro Perugino himself was commissioned to decorate it by Pope Sixtus IV. Which building is it?



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Quiz Answer Key and Fun Facts
1. In this Titian painting, two mythological figures are present (and make up the title of the painting). One is Ariadne, abandoned on an island by Theseus. Leading a group of revelers in a cheetah-drawn chariot, who is the other mythological figure?

Answer: Bacchus

"Bacchus and Ariadne" (1522-23) is based on the myth of Bacchus, the god of wine, and Ariadne, the daughter of King Minos. In the myth, Bacchus falls in love with Ariadne after she helps Theseus defeat the monster known as the Minotaur. The painting captures the moment when Bacchus, riding on a chariot drawn by two cheetahs, arrives on the island of Naxos to be with Ariadne.

The use of bright colors, such as the red and golden robes of Bacchus, emphasizes the joyful and celebratory nature of the scene.
2. Most Renaissance painters, including da Vinci, painted the Last Supper scene from a front-facing perspective. Which Venetian painter instead depicted the scene from this altered perspective?

Answer: Tintoretto

Tintoretto used a different composition style for his painting. Instead of the traditional arrangement of Jesus and the disciples sitting at a table, Tintoretto's painting shows the disciples in a more dramatic pose, with some standing and others reaching out. This gives the painting a sense of movement and excitement, which was unusual for Last Supper paintings of that time period.

Tintoretto also used light and color differently than other artists. He created a dramatic contrast between the dark background and the bright light illuminating the scene, giving the painting a powerful and emotional impact.
3. "Portrait of a Woman with a Man at a Casement" (c. 1440) depicts a domestic setting in which a man just barely pokes his head into a window to gaze at a woman (likely his betrothed). It was painted by the fascinating Italian Renaissance artist Filippo Lippi, who was also of what profession?

Answer: friar

The life of Filippo Lippi, who some refer to as the "drunk monk," is the stuff of fiction. After quitting work at a monastery, he was rumored to have been captured by Barbary pirates, and only his worth as a skilled painter allowed him to be set free. While under the commission of Cosimo de' Medici, the banker locked Lippi up in a room so that he would actually finish his paintings. Lippi escaped by making a rope out bedsheets.

Later in life, the friar met a nun at the monastery chapel of S. Margherita, where he wished to paint her. The monastery refused, so he took off with the woman and brought her to his home, where the two sired a son.

"Portrait of a Woman with a Man at a Casement" likely features a couple betrothed and soon to be married. There is a lettering featured on the woman's sleeve that spells "lealta," or "faithful" in Italian.
4. "Lamentation of Christ" (c. 1480) by Andrea Mantegna was ahead of its time in certain ways. It is now the consummate example in Italian Renaissance art of which perspective technique, which gives the human body depth in a painting?

Answer: foreshortening

Andrea Mantegna used foreshortening to create a dramatic and intense feeling in the painting. Foreshortening is a technique in which an object or body part is depicted as closer to the viewer than it actually is, making it appear larger and distorted.

In this painting, Mantegna used foreshortening to elongate the legs and arms of Christ, emphasizing his anguish and heightening the emotional impact of the scene.
5. Sofonisba Anguissola painted this 1555 masterpiece with the subjects believed to be her sisters. What game of the intelligentsia are her sisters playing in the painting?

Answer: chess

The subjects for "The Chess Game" are believed to be the artist's sisters, Lucia, Minerva and Europa Anguissola. They are playing chess as a demonstration of their education and intellectual pursuits, as well as to show the value placed on female education during the Renaissance. By painting women engaging in such a traditionally male pastime, Anguissola was pushing against the societal norms of her time and challenging the gender roles of her era.
6. "The Tribute Money" (c. 1425) by Masaccio depicts one of Jesus' biblical miracles from the Gospel of Matthew in which a coin appears in which creature's mouth?

Answer: a fish

"The Tribute Money" by Masaccio is located in the Brancacci Chapel in Florence, Italy. It depicts a scene from the New Testament, in which Christ and his disciples are approached by a tax collector who demands they pay the temple tax. When one of the disciples says they don't have the money, Christ tells him to catch a fish from the sea, and inside the fish's mouth, he will find a coin to pay the tax. One can see the disciple next to a body of water on the left side of the painting.

It is considered one of Masaccio's most important works, as it showcases his skill in creating lifelike and naturalistic figures.
7. Described by art historian John Pope-Hennessy as "by far the greatest fifteenth-century official portraitist," Giovanni Bellini shows off his talents by painting which political figure here?

Answer: a doge of Venice

Giovanni Bellini painted the "Portrait of Doge Leonardo Loredan" as a commission for the doge, who was the leader of the Republic of Venice. The portrait is considered one of Bellini's masterpieces, and it is notable for its lifelike depiction of the doge, as well as its subtle use of light and color.

The painting was intended to serve both as a representation of the doge's physical appearance and as a symbol of his political and social authority.
8. This painting by Piero della Francesca was likely painted between 1468-1470 and features a prominent scene in the Bible. Interestingly, Jesus is not one of the figures in the foreground, but can be found instead in the background. What is the title of the painting?

Answer: Flagellation of Christ

If you look carefully at the background on the left side, you can see a Roman soldier holding a whip with which he performs the flagellation. The figures in the scene seem to be paying no attention to what is happening behind them. Most art historians agree that the three figures are Oddantonio da Montefeltro, (who was the Duke of Urbino), and his advisers Manfredo dei Pio and Tommaso di Guido dell'Agnello.

Some others have argued that the figures represent more intangible elements such as the past, present, and future.
9. Located (rather appropriately) in the Uffizi, this panel of "The Battle of San Romano" (c.1435-1460) by Paolo Uccello depicts a battle between Sienese and what other forces?

Answer: Florentine

The Battle of San Romano took place in 1432 near the town of San Romano, Italy. The battle was fought between the Florentine army and the forces of the neighboring city of Siena, and it was a significant moment in the power struggles between the cities of Renaissance Italy. The painting captures the chaotic nature of medieval battle, with its detailed and realistic depictions of horses, armor, weapons, and the movements of the soldiers.

The Uffizi Gallery is located in Florence, Italy.
10. Pietro Perugino's pupil, Raphael, designed the tapestries that hung on its walls. Michelangelo's art graced its ceiling. And pictured here, "The Delivery of the Keys" (c. 1481-1482) by Pietro Perugino himself was commissioned to decorate it by Pope Sixtus IV. Which building is it?

Answer: Sistine Chapel

The Sistine Chapel is famous for its ceiling painted by Michelangelo, which features scenes from the Book of Genesis, including the famous "Creation of Adam". In addition to Michelangelo's masterpiece, the Sistine Chapel also houses several other important works of art, including "The Last Judgment" on the altar wall, also painted by Michelangelo, as well as several frescoes by other Renaissance artists such as Sandro Botticelli and Domenico Ghirlandaio. "The Delivery of the Keys" by Pietro Perugino is also located in the Sistine Chapel, and it depicts St. Peter receiving the keys to heaven from Jesus, symbolizing the authority of the Catholic Church.
Source: Author trident

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