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Quiz about Les Misrables  Fill In The Songs
Quiz about Les Misrables  Fill In The Songs

"Les Misérables" - Fill In The Songs Quiz

Prologue and Act One

I've given you a summary of the plot of the first half of "Les Misérables", but can you fill in the songs where they occur? For reasons of space, I've had to simplify the plot quite a lot, as well as leave out a few of the songs. Bonne chance!

by stedman. Estimated time: 6 mins.
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Author
stedman
Time
6 mins
Type
Quiz #
419,560
Updated
Apr 07 25
# Qns
17
Difficulty
Average
Avg Score
13 / 17
Plays
57
Last 3 plays: Guest 99 (11/17), Guest 174 (11/17), pennie1478 (5/17).
The musical's Prologue starts with a chorus of prisoners singing about their hard life working in a chain gang, in the song . One of the men, Jean Valjean is let out on parole, but is warned by one of the guards, Javert, that he is still not a free man. Valjean has trouble finding work and in desperation steals some silver from a kindly bishop. When he is captured, he is astonished when the bishop tells the police that the silver was a gift. Overcome by the bishop's kindness in giving him a second chance, he sings and vows to change his life for the better. He breaks his parole, making himself a hunted man.

Act 1
Eight years later, Valjean has used the bishop's gift wisely, and risen to become a factory owner and mayor of a small town. A group of factory workers and paupers sing the chorus about their lives of drudgery. One of the women, Fantine, is revealed to have a secret child, and is sacked from her job. Fantine sings the song about how her youthful romantic hopes have all been destroyed. Desperate for money, she is forced to sell her body and joins the other whores down by the docks. The whores and sailors sing about their lives in the ironic chorus . Fantine gets into a fight with an abusive sailor and is arrested by Javert, who is now a police officer.

Soon afterwards, Valjean hears that an innocent man has been wrongly identified as him and is about to go to prison in his place. In the dramatic solo song , he realises he cannot allow this to happen, and reveals his true identity in the courtroom. Before he can be thrown back in prison, he and the dying Fantine sing the duet , in which he promises her that he will find and look after her daughter, Cosette. After a dramatic duet with Javert entitled , he escapes and goes to find Cosette.

Cosette is lodging with an innkeeper and his wife, the Thénardiers, who treat her as little more than an unpaid servant. She sings a wistful solo ( ) about her dreams of a better life, while the Thénardiers celebrate the various ways they cheat their customers in the raucous song .

Valjean finds Cosette fetching water and takes her back to the inn. He reveals that Fantine is dead, and bargains with the duplicitous Thénardiers in the song to take Cosette off their hands for 1,500 francs.

Another nine years pass. Valjean and Cosette are now in Paris, which is in a state of political turmoil. A group of beggars sing the chorus , warning about how close the people are to revolting against their oppressors.

The Thénardiers are in Paris too, running a gang of thieves. They attempt to rob Valjean and Cosette, but are foiled by Javert, who is now a Parisian Inspector of Police. During this encounter, Cosette and the student Marius see each other for the first time and instantly fall in love. As Valjean flees, Javert recognises him again, and in a powerful solo, , sings of his belief that he is doing God's work in hunting down the fugitive ex-prisoner.

Marius joins a group of students who are planning their part in the coming revolution. Despite being distracted by thoughts of Cosette, he joins in their colourful and rousing song , looking forward to the coming fight. When the street urchin Gavroche arrives to tell them of the death of General Lamarque, they decide that the time has finally come to rouse the people to revolt, in the thrilling chorus .

Meanwhile, Éponine (the Thénardiers' daughter) brings Marius to meet Cosette again. Marius and Cosette sing again of their love in the romantic duet , although Éponine, who also secretly loves Marius, is heartbroken.

Fearing he is about to be recaptured, Valjean prepares to flee Paris with Cosette. Marius decides it is his duty to stand with the other students and join the uprising. Javert and the Thénardiers also have plans, and in , the big dramatic finale to Act One, all the main characters anticipate their roles in the coming revolution.
Your Options
["Red And Black"] ["Master Of The House"] ["Who Am I"] ["Look Down"] ["Lovely Ladies"] ["At the End of the Day"] ["I Dreamed A Dream"] ["One Day More"] ["Castle On A Cloud"] ["Confrontation"] ["Stars"] ["What Have I Done"] ["Waltz of Treachery"] ["Do You Hear The People Sing"] ["A Heart Full of Love"] ["Work Song"] ["Come To Me"]

Click or drag the options above to the spaces in the text.



Most Recent Scores
Apr 15 2025 : Guest 99: 11/17
Apr 12 2025 : Guest 174: 11/17
Apr 10 2025 : pennie1478: 5/17
Apr 09 2025 : EstaH: 5/17
Apr 09 2025 : Guest 146: 0/17
Apr 09 2025 : Guest 172: 13/17
Apr 09 2025 : GoodwinPD: 17/17
Apr 09 2025 : Guest 96: 1/17
Apr 09 2025 : gecko739: 15/17

Quiz Answer Key and Fun Facts
Answer:

Alain Boublil and Claude-Michel Schönberg's musical version of "Les Misérables" began life as a 1980 French "concept album" and was given a short stage run later that year in the Palais de Sports Arena on the outskirts of Paris. There the story might have ended, had not in 1983 the English producer Cameron Mackintosh been sent a copy of the album, with the suggestion that he might like to produce an English version.

Mackintosh's initial reaction was that the show wouldn't work in the West End, but he mentioned the project to the director Trevor Nunn, with whom he had worked on the first production of Andrew Lloyd Webber's "Cats" in 1981. Nunn had also recently had a huge success with an 8-hour stage adaptation of Charles Dickens' "Nicholas Nickleby", produced by the Royal Shakespeare Company (RSC), of which he was then the artistic director. Nunn saw many parallels between "Nickleby" and "Les Misérables", especially their concerns for the lives and rights of poor people, and he began to see a way to combine his experiences with "Cats" and "Nickleby" to produce something radically different from most stage musicals of the time.

The English-language production eventually opened in October 1985 at the Barbican Theatre, which was then the London base of the RSC, directed by Nunn and John Caird, with designs by John Napier, all of whom had worked together on "Nicholas Nickleby". The cast was a mixture of current RSC actors, including Roger Allam as Inspector Javert and Alun Armstrong as M. Thénardier, plus others with wider experience in musical theatre such as Colm Wilkinson as Jean Valjean and Patti LuPone as Fantine. It also marked the London debut of Michael Ball, in the role of Marius.

The initial reviews from the London theatre critics were not entirely positive, although not as bad as is sometimes claimed. For example, Sheridan Morley, in "Punch", hailed it as the finest piece of musical theatre since Sondheim's "Sweeney Todd", and foresaw a successful future. He turned out to be correct: the Barbican production quickly sold out and transferred to the Palace Theatre in the West End, where it ran for nearly 20 years before transferring down the road to the Queen's Theatre (now named the Sondheim), where it was still running (in a revised staging) in 2025, 40 years after its Barbican premiere.
Source: Author stedman

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