15. Which Éric Rohmer film (released in 1967) is this?
Two arty friends, Adrien and Daniel, awkwardly share a friend's villa on the French Riviera with a promiscuous young woman, Haydée. Both men feel obliged to court Haydée, but resent it.
From Quiz What's in a Title? The Films of Éric Rohmer
Answer:
The Collector
Adrien declines a trip to London with his girlfriend in order to have a complete break. Early on in the film Adrien picks up "The Complete Works of Rousseau" and asks Daniel if he can borrow it. When Adrien is talking to Daniel about his need for idleness and the following dialogue takes place:
Daniel: "Reading isn't doing nothing."
Adrien: "If I didn't read, I'd think. And thinking is the hardest, most demanding thing one can do. One always thinks too much.... I'm not looking for anything. If I come across a Rousseau, I read Rousseau, but I could just as well read 'Don Quixote'."
Monsieur Rohmer's choice of book can have been by no means as casual considering the themes of freedom and revolution that run through the film. The two males' hifalutin' chat makes scant impression on Haydée though. At the end of the film, Haydée meets some friends who urge her to ditch Adrien and go off with them. While she procrastinates, Adrien drives off. Despite feeling liberated initially, he becomes bored and fidgety. He books a flight to London.
Apparently, the success of "The Collector" (1967) came as much of a surprise to Rohmer as anybody since he had seen it as a low budget time-filler while things were on hold for his next film, "My Night At Maud's". Actually, much of the film's charm comes from its outward simplicity, which is apparently thanks to intense rehearsals and the crew paying special attention to getting everything spot-on first time round.
However, beneath the film's simplicity of execution sits an intricate web of tense relationships, battles of ego, and attempts at manipulation. It ushers in one of the main themes in Rohmer's work: the threat to male chauvinism from women's sexual freedom. Throughout the film both the male characters try to justify their behaviour with pretentious, pseudo-philosophic discourse and are openly hostile towards Haydée, who is unruffled by all the posturing. Haydée is actually the only character to speak honestly about her sexuality; when she is accused of being a "collector of lovers" (hence the film's title) by Adrien, she replies she is "searching" and that she has never really had a lover yet.
All the red herrings came out in 1967: French film "Two or Three Things I Know About Her" was directed by Jean-Luc Godard, "The Dirty Dozen" is an American World War II film directed by Robert Aldrich which stars Lee Marvin, Charles Bronson and Telly Savalas, and "In the Heat of the Night" won the Oscar for Best Picture.