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Quiz about Let Me Entertain You
Quiz about Let Me Entertain You

Let Me Entertain You Trivia Quiz


Entertainers who can sing, dance, and act have a lasting impact on audience than most single talent performers. Here are a few.

A multiple-choice quiz by Rehaberpro. Estimated time: 5 mins.
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Author
Rehaberpro
Time
5 mins
Type
Multiple Choice
Quiz #
387,650
Updated
Dec 03 21
# Qns
10
Difficulty
Average
Avg Score
7 / 10
Plays
572
Awards
Top 35% Quiz
- -
Question 1 of 10
1. Many agree that the greatest entertainer of the decades in the early twentieth century was Al Jolson. His combination of jazz, ragtime, spirituality, sentimentality, and tireless effort touched his audiences of the time. Jolson did many of his performances in black-face. Why did he do this? Hint


Question 2 of 10
2. This song-and-dance man was a headliner in films from the early 1930s to the late 1940s. In 1964 he switched to politics and became the first actor of prominence to be elected Senator from California. What was his name? Hint


Question 3 of 10
3. Donald O'Connor was born into a vaudevillian family that defined his role as an entertainer. At the age of twelve he co-starred with Bing Crosby in "Sing You Sinners" (1938) and continued in show business until his death in 2003, overcoming both chronic health issues and alcoholism. Who was the equally talented entertainer with whom he co-starred in Irving Berlin's "Call Me Madam" (1953)? Hint


Question 4 of 10
4. She was the most talented actor of the time, not just on the continent, but internationally as well. Comfortable in both male and female roles, losing a leg did not detour her stage career. Most of her performances contained a death scene in the final act. Who was this great French entertainer? Hint


Question 5 of 10
5. February 3, 1922, he made his first radio broadcast. On May 25, 1944, he made his first appearance on television. After turning down the lead role in "The Jazz Singer" (1929)--that went to Al Jolson--he made "Whoopee" (1930), that not only had sound, but color as well. He was a family favorite in films, radio, and television who adored his wife, Ida, and his five daughters. What was his stage name? Hint


Question 6 of 10
6. The Carol Burnett Show was one of the best variety shows on television. Her supporting cast of Vickie Lawrence, Harvey Korman, Tim Conway, and Lyle Waggoner was brilliant in skits and parodies. On what television variety program did Carol Burnett first gain national recognition in 1959? Hint


Question 7 of 10
7. He had a grating rasping singing voice, couldn't dance, led his own jazz/ragtime band in the 1920s starring on the piano, and largely played himself in films, radio, and television. His humor was self-depreciative, much of which concerned his nose. Audiences loved him for his personality and charm. Who best fits this profile? Hint


Question 8 of 10
8. Before Jack Kerouac thought about it, this pair was already on the road. One was arguably the most popular comic of his time; the other was a best selling recording artist, radio host, and, upon occasion, dramatic actor. What were the last names of this duet? Hint


Question 9 of 10
9. This piano man's treasures were preserved in his own museum, but now all but a few items are in storage. We would expect to see candle sticks, lavish costumes, elegant automobiles, and a variety of piano shaped objects. With what entertainer would you associate this collection? Hint


Question 10 of 10
10. She was what we now call a "full-bodied woman" and she was singer, comedian, actress, and radio personality. What entertainer billed herself as "The Last of the Red Hot Mamas"? Hint



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Quiz Answer Key and Fun Facts
1. Many agree that the greatest entertainer of the decades in the early twentieth century was Al Jolson. His combination of jazz, ragtime, spirituality, sentimentality, and tireless effort touched his audiences of the time. Jolson did many of his performances in black-face. Why did he do this?

Answer: All of these answers are correct.

It is sad the modern audiences automatically assume that only an avowed racist would appear in black-face. It the case of Jolson, the opposite is true.

Jolson was among the first to include black artists in meaningful roles in his Broadway productions. Black-face provided a link to the traveling minstrel shows that entertained audiences in previous decades. In his stage performances his black-face character always outwitted his stereotyped racist opponents. But most importantly it linked the sufferings and injustice of slave blacks in the Americas and the those of Jews caught in pogroms in Europe.

At his funeral in 1950 the line was dominated by African-Americans paying their respects.
2. This song-and-dance man was a headliner in films from the early 1930s to the late 1940s. In 1964 he switched to politics and became the first actor of prominence to be elected Senator from California. What was his name?

Answer: George Murphy

George Murphy was a Yale graduate, came to films early in the 'talkie' era, and later became President of the Screen Actors Guild, as Ronald Reagan did later. In his election he defeated Pierre Salinger, a Kennedy backed candidate. As a politician he was considered a conservative aligned to the Republican Party.

Murphy was generally the 'good guy' in such films as "Me and My Gal" (1942) with Judy Garland, "Tom, Dick, and Harry" (1941), as Tom with Ginger Rogers, and "Little Miss Broadway" (1938), as Shirley Temple's Dad.

Schwarzenegger was a two time governor of California, Sonny without Cher was elected to Congress for three terms, and after leaving the "Loveboat" Grundy returned to Iowa where he was elected to Congress.
3. Donald O'Connor was born into a vaudevillian family that defined his role as an entertainer. At the age of twelve he co-starred with Bing Crosby in "Sing You Sinners" (1938) and continued in show business until his death in 2003, overcoming both chronic health issues and alcoholism. Who was the equally talented entertainer with whom he co-starred in Irving Berlin's "Call Me Madam" (1953)?

Answer: Ethel Merman

O'Connor's duet with Ethel Merman singing "You're Just in Love" is one of the most memorable scenes in movie history. Donald O'Connor made several light musicals early in his career aimed at teenage moviegoers, played the straight man to Francis the Talking Mule, and performed one of the most athletic dance sequences ever filmed to "Make 'em Laugh" in "Singin' in the Rain" (1952).

His "Colgate Comedy Hour" specials on television were well received.
4. She was the most talented actor of the time, not just on the continent, but internationally as well. Comfortable in both male and female roles, losing a leg did not detour her stage career. Most of her performances contained a death scene in the final act. Who was this great French entertainer?

Answer: Sarah Bernhardt

Bernhardt's private life was as flamboyant as her dramatic roles. It has been alleged that she had a thousand lovers in her lifetime. She collected chairs and her home was filled with them. She slept in a rosewood coffin that was lined with letters from her lovers.
5. February 3, 1922, he made his first radio broadcast. On May 25, 1944, he made his first appearance on television. After turning down the lead role in "The Jazz Singer" (1929)--that went to Al Jolson--he made "Whoopee" (1930), that not only had sound, but color as well. He was a family favorite in films, radio, and television who adored his wife, Ida, and his five daughters. What was his stage name?

Answer: Eddy Cantor

Born Edward Israel Itzkowitz in 1892, Eddy Cantor built his act to be family friendly, particularly in his long running radio show and his television appearances. Fans waited for installments on stories about his wife Ida and their five daughters. In addition, he popularized some of the best known songs such as "Makin' Whoopee", "Ida", "Yes! We Have No Bananas", "If You Knew Susie", "Ma! He's Makin' Eyes at Me", "Baby", "Margie", and "How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?", and "Merrily We Roll Along".
6. The Carol Burnett Show was one of the best variety shows on television. Her supporting cast of Vickie Lawrence, Harvey Korman, Tim Conway, and Lyle Waggoner was brilliant in skits and parodies. On what television variety program did Carol Burnett first gain national recognition in 1959?

Answer: The Garry Moore Show

In structure, "The Garry Moore Show" was similar to "The Carol Burnett Show", which focused on comedy with a regular repertory of actors. Burnett was just off her Tony nominated Broadway performance in "Once Upon a Mattress." She was an immediate hit with audiences and critics, and she won an Emmy for her comedy supporting role.

"The Carol Burnett Show" lasted eleven seasons, producing 279 episodes, and amassing 70 major nominations and awarded 39, making it one of the most honored programs in American television.
7. He had a grating rasping singing voice, couldn't dance, led his own jazz/ragtime band in the 1920s starring on the piano, and largely played himself in films, radio, and television. His humor was self-depreciative, much of which concerned his nose. Audiences loved him for his personality and charm. Who best fits this profile?

Answer: Jimmy Durante

Durante was also the master of the "catch phrase" before the term was coined. "Dat's my boy dat said dat!"; "Dat's moral turpentine!"; "It's a catastastroke!" (for "catastrophe"); "Everybody wants ta get inta the act!"; "Umbriago!"; "Ha-cha-cha-chaaaaaaa!"; "I got a million of 'em"; "Surrounded by assassins!"; "Am I mortified" and the list goes on.

His first wife died in 1943. Durante used to end his radio, television, and personal appearances with "Good night Mrs. Calabash wherever you are." Calabash was his pet name for her.

Durante was able to "sell a song", particularly sentimental melodies. Many of these were with the use of an orchestra, strings, and back-up choral groups. The film "Sleepless in Seattle" used Durante to set the romantic mood.
8. Before Jack Kerouac thought about it, this pair was already on the road. One was arguably the most popular comic of his time; the other was a best selling recording artist, radio host, and, upon occasion, dramatic actor. What were the last names of this duet?

Answer: Hope and Crosby

Between 1940 and 1962 Bob Hope and Bing Crosby made seven 'road' pictures. The road took them to Singapore (1940), Zanzibar (1941), Morocco (1942), Utopia (1946), Rio (1947), Bali (1952), and Hong Kong (1962). Each film was a parody on various film genres. They took Dorothy Lamour along as eye candy. Hope played the buffoon and Crosby was his straight man. Bing got the girl in the final reel.

Yet, as good as they were together, they were both consummate entertainers.
9. This piano man's treasures were preserved in his own museum, but now all but a few items are in storage. We would expect to see candle sticks, lavish costumes, elegant automobiles, and a variety of piano shaped objects. With what entertainer would you associate this collection?

Answer: Liberace

On a brief sojourn to Las Vegas, we were waiting for a limo to take us to our hotel. Two other couples were also waiting. When the driver arrived, the other couples went into conversation with him. One of the men turned to us and relayed that they had tipped the driver to drive by Liberace's house and museum and if we minded the slight detour. It was dusk but every light seemed to be burning in the house that filled a city block. We were not able to see much but the quality and luxury of the furnishings was apparent from the street. There were car ports around the building with expensive vehicles.

In many ways Liberace defined Las Vegas at that time. He was the ultimate Vegas showman, whose deft concert skills and personality packed the room with adoring fans of a certain age. Born in Milwaukee, he worked his way through the hotel circuit and on to television and films.
10. She was what we now call a "full-bodied woman" and she was singer, comedian, actress, and radio personality. What entertainer billed herself as "The Last of the Red Hot Mamas"?

Answer: Sophie Tucker

Ukrainian born, Sophie Tucker began her singing career in her parents' restaurant singing for tips. Later, working in the low end of the burlesque circuit, theater owners required her to wear black face, speak with a Southern accent, and play to the lowest common denominator in racism. One night Sophie took charge and came on stage without makeup and announced, "You all can see I'm a white girl. Well, I'll tell you something more: I'm not Southern. I'm a Jewish girl and I just learned this Southern accent doing a blackface act for two years. And now, Mr. Leader, please play my song!" Thus was born the Sophie Tucker we remember today.

Sophie's act included her singing but she had a piano accompaniment that became part of the act as they exchanged risqué banter that became her trademark. She took the offensive on 'fat' jokes and used them to her advantage rather than play victim.

Also, Sophie Tucker had a lasting influence on the performers that followed her. Mae West was not the first to use bawdy repartee. Bette Midler includes a portion of her live performances as a tribute to Sophie Tucker. Sophie once summed up her life, "Once you start carrying your own suitcase, paying your own bills, running your own show, you've done something to yourself that makes you one of those women men like to call 'a pal' and 'a good sport,' the kind of woman they tell their troubles to. But you've cut yourself off from the orchids and the diamond bracelets, except those you buy yourself."

Finally, one Sophie Tucker joke:

Louie: I love you Sophie but you're flat-chested.
Sophie: Louie, get off my back.
Source: Author Rehaberpro

This quiz was reviewed by FunTrivia editor ponycargirl before going online.
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