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Quiz about Hit Me With Your Best Shot
Quiz about Hit Me With Your Best Shot

Hit Me With Your Best Shot Trivia Quiz


People seem to hit each other a lot in the movies and on television. While violence is nothing to be espoused or, more urgently, aspired to it has to be admitted that sometimes the recipient of a slap on the screen seems to deserve it. Only sometimes...

A multiple-choice quiz by Gatsby722. Estimated time: 11 mins.
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Author
Gatsby722
Time
11 mins
Type
Multiple Choice
Quiz #
234,073
Updated
Dec 03 21
# Qns
10
Difficulty
Difficult
Avg Score
4 / 10
Plays
997
Last 3 plays: Guest 90 (4/10), Guest 136 (10/10), Guest 24 (4/10).
- -
Question 1 of 10
1. I recall one film where there was a rather hostile divorce in progress and the couple were having a good go at each other over just about everything. The movie came out in 1979 and addressed the distribution of strengths, frailties, abilities (and lack of same) and even the overall equality that does or should exist between the sexes. The two, while verbally sparring in their lawyers' office, finally reached the edge of diplomacy or even forced politeness and, in a pique, the soon-to-be ex-wife slapped the soon-to-be ex-husband squarely in his face. To the shock of many his response was, without hesitation, to give her a good smack in return. Surely this is not recommended behavior but, on some level, it almost seemed fair. What angst-ridden film, set in New York City and a testament on how NOT to make French toast, is in question here? Hint


Question 2 of 10
2. Unfriendly as it may sound, occasionally the audience isn't all that broken up to see someone on TV take a punch. We all know that there are much better ways to settle disputes but, darn it, some folks just seem to be asking for it. Such was perhaps the case in 1988 on daytime TV's "Geraldo" ~ Mr. Rivera's so-called talk show. On the occasion in question the host took a chair smack dab in the face quite adequately breaking his nose as a brawl had broken out on stage. Which of the following were NOT party to that ruckus that sent Geraldo to the emergency room (even though his ratings skyrocketed)? Hint


Question 3 of 10
3. More than likely we're all familiar with that spitfire Southern belle Scarlett O'Hara in 1939's "Gone With the Wind". She seemed to notoriously have some degree of a tantrum every other scene! I was just wondering thematically as this quiz builds: how many people did Mrs. Butler (Scarlett) slap silly in that movie? Hint


Question 4 of 10
4. Menfolk have often been known to give somebody a knuckle sandwich in the spirit of loyalty to their womenfolk - it's a classic setup. Somebody does his lady wrong? Easily, conversation is out of the question so the most accessible option is to put the rascal's lights out. Or if he or they aren't available, punching an inanimate object can often do wonders for one's mood, too. In all of the choices mentioned here we have women who were having one serious hard time at work. Either they were overworked in primitive mills, getting nuked, earning no respect for a challenging task done well or being treated like a piece of meat in place only for her associates' perverse entertainment. In one of these movies a particular boyfriend/spouse of one these put-upon ladies had reached his limit with all this abuse and, in a rather chivalrous way, took matters into his own hands. He decked her boss. Which of these films was that one? Hint


Question 5 of 10
5. This one set women's groups off into a mighty uproar in the early 1930s and, realistically, deserved to. In "The Public Enemy" (1931) very volatile Tom Powers is having his morning meal with his mistress named Kitty. Tom, as Tom was wont to often do, got perturbed about something and poor Kitty took a blow to her pretty face. The strange thing about it, though, was that Tom didn't hit her with any part of his hand. He hit her with his breakfast! What was he eating that his girl eventually ended up wearing like a mask? Hint


Question 6 of 10
6. Only rarely is hitting exactly funny (unless you're one of Three Stooges or in that sort of slapstick category, that is - if there, being a knockabout clown is expected). On TV's "Roseanne" (1988-1997) the Conner family pretty much adopted their 'Aunt Jackie' and she seemed to be at their house more often than she was at her own. Jackie, while scarcely a total write-off, had her share of troubles in career selection and, especially, with men. At one point, in a two part episode called "Crime and Punishment"/"War and Peace" in 1993 her sister Roseanne noticed some bruises on Jackie and, naturally, hit the ceiling! It is safe to say that this sort of thing was not acceptable to anyone (even though Jackie was in firm denial about it at first). Which of these four men, all at one time romantically attached to Jackie during the run of the otherwise funny series, was responsible for beating her up in that deadly serious story arc? Hint


Question 7 of 10
7. It could have been the catfight of the 1980s! Television viewers had been watching "Dynasty" (1981-1989) expecting Alexis and Krystle to let loose and just scratch each others eyes out for endless weeks and, in the episode of April 13, 1983 called "The Threat", all Hell broke loose in a hurry on the show. It is hard to remember who started it, who threw the first blow ~ all that matters is the two rolled hissing and pulling hair into an unsuspecting lily pond. We do recall, perhaps, that old reliable Blake found them and put a stop to their rather unladylike match, calling them both "common mud wrestlers". I'm wondering, though, what (in a series of many gripes back and forth) sent the two at each other's throats on that particular occasion? Hint


Question 8 of 10
8. Once in a while as we sit and just hope upon hope that somebody will take one in the kisser, we are dismayed to finally see that the one who should have been doing the smacking is the one who ends up 'getting it' from the other who deserved to be smacked at the start of things. Such was the case in this film, a rather distinguished tear-jerker (clearly designed for a female audience), which featured an unexplainably selfless mother who bent over more than backwards to protect an equally obsessed (but not in a protective way) ungodly daughter. Let's face it, the only thing that distinguished that child from some beast from the Underworld was that she only had one head (with several faces attached to it, make no mistake). Things got a little tricky when the little she-devil killed somebody, though, and Mama finally gave up - and only about 10 years too late doing that, if you ask me. Which of these movie daughters/spawns of the Devil is being discussed? Hint


Question 9 of 10
9. We can probably agree that sometimes knocking someone up the side of his head isn't always just about the head being manhandled. Or, in some cases, 'woman'handled. It's about what the person stands for, the collective past assigned to one target. It's quite easy to discuss a momentary upset or a bad day or a riotously rotten date but, now and again, there's just too much baggage and no amount of conversation will make one bit of it right. This was the case with Miss Judy Benjamin. She had come a long way from that pampered Jewish American Princess of not so long ago. A very successful (well, finally it worked out) stint in the military, much hard earned independence, definite bucket loads of unsuspected self esteem had found her. But, then, Judy found herself on her wedding day about to be married and marrying a bit of a cad to boot. At a crucial moment she knew quite well that this was one too many steps backwards for her emancipated self and made a decision. She opted not to throw the nuptials bouquet. No, she had a much better idea than that. She threw a fierce right hook into her would-be groom's breadbasket. With all that taken care of, she left the church and pranced off to much bigger and better things. What was the name of the character in 1980's "Private Benjamin" that got left, doubled over, at the altar? Hint


Question 10 of 10
10. It was November 13, 1982 and two young boxers were preparing to do battle. It was a match no different than countless ones before it- the men were fit, trained and spirited professional athletes but, as one can never predict, luck was not in the ring that night. As the fight progresed (and in the 14th round) a blow was issued to the head of Korean boxer Duk Koo Kim. Upon ending the fight he was rushed to the hospital where he died five days later from the brain injuries he sustained. One man's life over and another man's life forever altered and all for a sport. The truth is that it was just a freak accident, more or less, in an arena where physical contact rules and, as such, built-in risks are obvious. In this case, without question, entertaining an audience in the spirit of competition was hardly worth the price paid. By anyone. Who was the boxer that placed the ultimately fatal punch that night? Hint



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Quiz Answer Key and Fun Facts
1. I recall one film where there was a rather hostile divorce in progress and the couple were having a good go at each other over just about everything. The movie came out in 1979 and addressed the distribution of strengths, frailties, abilities (and lack of same) and even the overall equality that does or should exist between the sexes. The two, while verbally sparring in their lawyers' office, finally reached the edge of diplomacy or even forced politeness and, in a pique, the soon-to-be ex-wife slapped the soon-to-be ex-husband squarely in his face. To the shock of many his response was, without hesitation, to give her a good smack in return. Surely this is not recommended behavior but, on some level, it almost seemed fair. What angst-ridden film, set in New York City and a testament on how NOT to make French toast, is in question here?

Answer: Kramer vs. Kramer

"Kramer vs. Kramer" benefited gloriously from the contribution(s) of its cast, namely Dustin Hoffman, Meryl Streep, Jane Alexander and young Justin Henry. The divorce and custody battle was worthy drama but the bigger questions arose in debating which was worse: a mother who impulsively walks out on her family or a father who is work obsessed and has historically ignored the emotional needs of that family? And, of course, who of the two makes for the better parent? In other hands it could have looked like another TV Movie-of-the-Week but, here, it was named the Best Film of the Year. And, refreshingly, concluded that while no one really won or lost much in the end, the whole family had grown up a great deal. Oh, and even little Justin Henry finally managed to master the preparation of French toast, after a disastrous first lesson.
2. Unfriendly as it may sound, occasionally the audience isn't all that broken up to see someone on TV take a punch. We all know that there are much better ways to settle disputes but, darn it, some folks just seem to be asking for it. Such was perhaps the case in 1988 on daytime TV's "Geraldo" ~ Mr. Rivera's so-called talk show. On the occasion in question the host took a chair smack dab in the face quite adequately breaking his nose as a brawl had broken out on stage. Which of the following were NOT party to that ruckus that sent Geraldo to the emergency room (even though his ratings skyrocketed)?

Answer: Gay activists

While that whole riot was completely unplanned it surely got "Geraldo" more attention than the show otherwise would have. Black activist Roy Innis didn't much care care for the leader of the White Aryan Resistance Youth (which should have come as no surprise).

As the discourse rambled on the two simply could not reach a civil conclusion (which should not have come as a surprise, either). What else to do but beat each other up and throw furniture around while you're at it? I enjoyed Rivera early in his career, especially as anchor for "Good Morning America" (1973-1976) but he totally lost credibility as he went, first with that two hour special building up the opening of Al Capone's secret vault in 1986. Talk about getting dressed up with nowhere to finally go? The breathtaking contents were a pile of dirt and a bottle of bathtub gin.

Then came his daily show, notable mostly for the broken facial features and publicly starting the buzz phrase 'Trash TV'. The man won't stop, though, ultimately ending up in Iraq broadcasting sensitive operational details in 2003 - which got him expelled from the entire country! Nobody broke his nose, however, as he left...
3. More than likely we're all familiar with that spitfire Southern belle Scarlett O'Hara in 1939's "Gone With the Wind". She seemed to notoriously have some degree of a tantrum every other scene! I was just wondering thematically as this quiz builds: how many people did Mrs. Butler (Scarlett) slap silly in that movie?

Answer: 4

I think that would qualify her for the official badge of "slap happy", don't you? The recipients of Scarlett's temperamental palm were her sister Suellen (but they never seemed to like each other much, anyway), Ashley Wilkes (Scarlett never gave that poor chap a break in any respect), her husband Rhett Butler (who had likely been whacked more times than are countable in his life) and poor Prissy (just because she didn't know "nuthin 'bout birthin' no babies"). You'll note that Miss Scarlett never took aim at the stalwart Mammy, though. Without a blink that one would have hauled O'Hara out to the woodshed before she had a chance to shriek 'fiddle dee dee'.
4. Menfolk have often been known to give somebody a knuckle sandwich in the spirit of loyalty to their womenfolk - it's a classic setup. Somebody does his lady wrong? Easily, conversation is out of the question so the most accessible option is to put the rascal's lights out. Or if he or they aren't available, punching an inanimate object can often do wonders for one's mood, too. In all of the choices mentioned here we have women who were having one serious hard time at work. Either they were overworked in primitive mills, getting nuked, earning no respect for a challenging task done well or being treated like a piece of meat in place only for her associates' perverse entertainment. In one of these movies a particular boyfriend/spouse of one these put-upon ladies had reached his limit with all this abuse and, in a rather chivalrous way, took matters into his own hands. He decked her boss. Which of these films was that one?

Answer: 'Silkwood' (1983)

I remember when I saw Kurt Russell [playing Drew Stephens] clobber the heck out of Craig T. Nelson [the snake-like Winston] in 1983's "Silkwood" I literally laughed out loud, which was unexpected to happen in such a serious story. Drew, though, an otherwise rowdy rough-and-tumble sort, gave the nuclear plant manager a well-deserved thump and, wide-eyed and realizing what he'd done, went running like a cougar in the opposite direction in a hurry. Drew's girlfriend was the non-fictional Karen Silkwood, a tragic heroine who was at first made "hot" by nuclear radiation at the unsafe plant wherein she worked, then became a loud activist about the conditions of said employment and then ended up dead as a result of the most dubious automobile accident I've ever seen or read about. Given all that, I guess you can't blame Drew for being a little afraid of what this guy might do once he regained consciousness after the blow to his head.
5. This one set women's groups off into a mighty uproar in the early 1930s and, realistically, deserved to. In "The Public Enemy" (1931) very volatile Tom Powers is having his morning meal with his mistress named Kitty. Tom, as Tom was wont to often do, got perturbed about something and poor Kitty took a blow to her pretty face. The strange thing about it, though, was that Tom didn't hit her with any part of his hand. He hit her with his breakfast! What was he eating that his girl eventually ended up wearing like a mask?

Answer: a grapefruit

Anyone who's a fan of old, old cinema has probably seen this scene at least once. In truth, it's probably the only thing notably memorable about the project which was no more than a run-of-the mill gangster movie at the time (one good brother assigned to the 'straight and narrow' with the other a gun-toting thug). James Cagney (1899-1986) and Mae Clarke (1910-1989) played the 'diners' and, throughout his life when Mr. Cagney went to a restaurant an anonymous fan or two would send a grapefruit to his table.

More often than not he happily ate them. Clarke was mostly known for this film and as playing the wife of Dr. Frankenstein in 1931 (it would seem she found herself a bit typecast as the partner of a lunatic of some degree). Interestingly, the "grapefruit" scene was initially a prank that was supposed to rattle the cameramen as it wasn't in the script at all but the director, while looking at footage, decided to keep the impromptu exchange between Tom and Kitty in the final cut. Smart decision!
6. Only rarely is hitting exactly funny (unless you're one of Three Stooges or in that sort of slapstick category, that is - if there, being a knockabout clown is expected). On TV's "Roseanne" (1988-1997) the Conner family pretty much adopted their 'Aunt Jackie' and she seemed to be at their house more often than she was at her own. Jackie, while scarcely a total write-off, had her share of troubles in career selection and, especially, with men. At one point, in a two part episode called "Crime and Punishment"/"War and Peace" in 1993 her sister Roseanne noticed some bruises on Jackie and, naturally, hit the ceiling! It is safe to say that this sort of thing was not acceptable to anyone (even though Jackie was in firm denial about it at first). Which of these four men, all at one time romantically attached to Jackie during the run of the otherwise funny series, was responsible for beating her up in that deadly serious story arc?

Answer: Fisher (played by Matt Roth)

Fisher was already a bit of a thorn in Roseanne's side because he was somewhat younger than her sister and went justifiably ballistic when she discovered the bruises on Jackie (played by Laurie Metcalfe). Mrs. Conner's husband (acted by the always watchable John Goodman) didn't stop at just being enraged and off he went to give this Fisher bully a taste of his own medicine. Honorable as it was, Dan still was arrested for assault BUT Jackie did finally give Fisher the boot.

In retrospect the theme of abuse/violence (both physical and otherwise) ran pretty regularly on "Roseanne", no doubt fueled by the star's allegations of growing up in a toxic environment with villainous parents.

The key word there is 'allegations', of course.
7. It could have been the catfight of the 1980s! Television viewers had been watching "Dynasty" (1981-1989) expecting Alexis and Krystle to let loose and just scratch each others eyes out for endless weeks and, in the episode of April 13, 1983 called "The Threat", all Hell broke loose in a hurry on the show. It is hard to remember who started it, who threw the first blow ~ all that matters is the two rolled hissing and pulling hair into an unsuspecting lily pond. We do recall, perhaps, that old reliable Blake found them and put a stop to their rather unladylike match, calling them both "common mud wrestlers". I'm wondering, though, what (in a series of many gripes back and forth) sent the two at each other's throats on that particular occasion?

Answer: Alexis had been caught in the bed of her daughter, Fallon's, lover and Krystle found that to be an unspeakable betrayal!

Yes, Alexis Carrington Colby (played for every venomous fang she was worth by Joan Collins) had taken a tumble with Fallon's Mark Jennings, who was no more than a career gigolo, after all. Krystle (the elegant Linda Evans) saw red in a hurry about that one - why THAT one in such a series of reasons to see red I'm not sure.

At the end of the brawl Krystle went off to a hotel, completely humiliated, while Mrs. Colby, without skipping a beat, blackmailed the butler into draining the pond so as to retrieve a diamond earring that had been yanked off. Couldn't she have just asked politely? To note: at the end of this episode, just to balance things out, Alexis's life was threatened by a Congressman whose career she had ruined. Just another day at the office...
8. Once in a while as we sit and just hope upon hope that somebody will take one in the kisser, we are dismayed to finally see that the one who should have been doing the smacking is the one who ends up 'getting it' from the other who deserved to be smacked at the start of things. Such was the case in this film, a rather distinguished tear-jerker (clearly designed for a female audience), which featured an unexplainably selfless mother who bent over more than backwards to protect an equally obsessed (but not in a protective way) ungodly daughter. Let's face it, the only thing that distinguished that child from some beast from the Underworld was that she only had one head (with several faces attached to it, make no mistake). Things got a little tricky when the little she-devil killed somebody, though, and Mama finally gave up - and only about 10 years too late doing that, if you ask me. Which of these movie daughters/spawns of the Devil is being discussed?

Answer: Veda Pierce in a 1945 film

"Mildred Pierce" was actually a fine film and, really, made better with the chemistry that was in place between Joan Crawford (who was no walk in the park and playing totally against 'type' here) and young Ann Blyth, who gave an almost delicious spin to the awful Veda. What a role! Veda slept with her stepfather (who she later shot), did a bit of blackmail, bilked a rich neighbor out of $10,000 based on a false pregnancy and even did some saloon singing surrounded by prowling sailors (who, let's just assume, weren't interested in her vocal range). How could Crawford have not won an Oscar for this picture [She did win it, by the way]? As Jeremiah Kipp said in a "Slant Magazine" review: "...and we all know how Joan can slap someone in the face like nobody's business!" Clearly, Crawford knew just what she was dealing with in this Veda character.

The other actresses mentioned were as follows - Dallas in "Stella Dallas" (a nice kid there), Johnson in "Imitation of Life" (racially mixed up, but probably not bad to the bone) and Penmark in "The Bad Seed" (genetically doomed child who, at the advanced old age of eight, already had at least two murders to account for).

The good thing, though, is that none of those three had ever slapped their Mother(s). Veda, on the other hand, wasted no time belting hers.
9. We can probably agree that sometimes knocking someone up the side of his head isn't always just about the head being manhandled. Or, in some cases, 'woman'handled. It's about what the person stands for, the collective past assigned to one target. It's quite easy to discuss a momentary upset or a bad day or a riotously rotten date but, now and again, there's just too much baggage and no amount of conversation will make one bit of it right. This was the case with Miss Judy Benjamin. She had come a long way from that pampered Jewish American Princess of not so long ago. A very successful (well, finally it worked out) stint in the military, much hard earned independence, definite bucket loads of unsuspected self esteem had found her. But, then, Judy found herself on her wedding day about to be married and marrying a bit of a cad to boot. At a crucial moment she knew quite well that this was one too many steps backwards for her emancipated self and made a decision. She opted not to throw the nuptials bouquet. No, she had a much better idea than that. She threw a fierce right hook into her would-be groom's breadbasket. With all that taken care of, she left the church and pranced off to much bigger and better things. What was the name of the character in 1980's "Private Benjamin" that got left, doubled over, at the altar?

Answer: Henri Alan Tremont

The story itself had probably, in different guises, been done before many many times and, actually, several times by Goldie Hawn herself (one of the most likable actresses around after all these years) who played Private Benjamin. Armand Assante was Henri, a mostly pat stereotype of the French rake.

As often is the case, the film stood out because of a highly exceptional cast including Albert Brooks, Mary Kay Place, Sam Wanamaker, Barbara Barrie, Harry Dean Stanton and [the standout, in my opinion] Eileen Brennan as the -um- noticeably less-than-girly Captain Doreen Lewis.

The latter and Ms. Hawn were Oscar nominated for their work here.
10. It was November 13, 1982 and two young boxers were preparing to do battle. It was a match no different than countless ones before it- the men were fit, trained and spirited professional athletes but, as one can never predict, luck was not in the ring that night. As the fight progresed (and in the 14th round) a blow was issued to the head of Korean boxer Duk Koo Kim. Upon ending the fight he was rushed to the hospital where he died five days later from the brain injuries he sustained. One man's life over and another man's life forever altered and all for a sport. The truth is that it was just a freak accident, more or less, in an arena where physical contact rules and, as such, built-in risks are obvious. In this case, without question, entertaining an audience in the spirit of competition was hardly worth the price paid. By anyone. Who was the boxer that placed the ultimately fatal punch that night?

Answer: Ray Mancini

Ray "Boom Boom" Mancini attended the funeral in South Korea, soon after spiraling into a deep depression - and, according to the man himself, it worsened every time someone approached him and asked: "Are you the one who "killed" Duk Koo Kim?" (and it seemed he was asked that a lot).

The good that came of it all, though, was that studies were performed which showed conclusively that a boxer receives most of his or her punishment/damage after the 12th round. As a result, the World Boxing Council shortened title bouts to no more than a 12 round duration and the entire sport adapted this rule within a decade of the Mancini/Kim tragedy. Mancini retired in 1993 and, despite the painful circumstance on his record, did so with impressive numbers AND an inspiring story ~ so inspiring that the late Warren Zevon wrote a song about him and a TV movie was made in 1985 called "Heart of a Champion: The Ray Mancini Story". Who played "Boom Boom", you might be wondering? Doug McKeon, whom you could possibly recognize as 'Billy', the young upstart who introduced Norman and Ethel to the phrase "suck face" in 1981's "On Golden Pond".
Source: Author Gatsby722

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