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Quiz about Shuehorn and the Questionable Query
Quiz about Shuehorn and the Questionable Query

Shuehorn and the Questionable Query Quiz


Questions, queries, quandaries... These are often the crux of the plot and center of intrigue of plays. See if you can remember these quixotic queries from well-known theatrical works. This quiz is part of Kyleisalive's Commission III.

A multiple-choice quiz by shuehorn. Estimated time: 6 mins.
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Author
shuehorn
Time
6 mins
Type
Multiple Choice
Quiz #
319,042
Updated
Dec 03 21
# Qns
10
Difficulty
Average
Avg Score
7 / 10
Plays
513
- -
Question 1 of 10
1. "To be or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,..."

This may be the most famous of Shakespeare's quandaries, and though many can quote it (at least partially), can you identify who said it and in what play?
Hint


Question 2 of 10
2. The following quarrelsome question at the end of a famous monologue is a quandary posed by a cantankerous character from an Edward Albee play that caused scandal when it was first produced:

"And what is it? What does the trumpet sound? Up yours."

The name of Albee's play is a questionable query in itself. What is it called?
Hint


Question 3 of 10
3. David Mamet is known for his "realistic" dialogue, which his characters often deliver piecemeal, interrupting and speaking over one another. One of his works first opened in 1992 and was revived on Broadway in 2009 (with Bill Pullman and Julia Stiles in the lead roles). The quixotic and querulous query that opened this play was a rapid fire repetition of the question, "What does that mean?"

What Mamet work is this?
Hint


Question 4 of 10
4. A: Do you think death could possibly be a boat?
B: No, no, no...Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat.
A: I've frequently not been on boats.
B: No, no, no - what you've been is not on boats.

Which two characters engaged in these circular quandaries in a famous work by Tom Stoppard?
Hint


Question 5 of 10
5. "What seest thou else
In the dark backward and abysm of time?"

This is a query from a work by Shakespeare. What tumultuous play did this questionable quandary come from?
Hint


Question 6 of 10
6. "Dorian Gray: I love Sibyl Vane. I want to place her on a pedestal of gold, and to see the world worship the woman who is mine. What is marriage? An irrevocable vow. You mock at it for that. Ah! Don't mock. It is an irrevocable vow that I want to take."

This questioning quandary is from a famous theatrical play written by Oscar Wilde. True or False?


Question 7 of 10
7. A famous scene from one of Shakespeare's plays contains the following tormented questions:

"Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee."

Do you know which of the bard's characters said this and in which play?
Hint


Question 8 of 10
8. The following series of questions is from the play "Five Characters in Search of an Author" by Luigi Pirandello (True or False):

"Door-keeper: Excuse me, sir...
The Manager: Eh? What is it?
Door-keeper: These people are asking for you, sir.
The Manager: I am rehearsing, and you know perfectly well no one's allowed to come in during rehearsals! [Turning to the CHARACTERS.] Who are you, please? What do you want?
The Father: As a matter of fact... We have come here in search of an author...
The Manager: An author? What author?
The Father: Any author, sir."


Question 9 of 10
9. Close quarters, quarrels, questionable assumptions and a quixotic quest for justice. This play has it all. The following series of questions comes from which play?

"C: What do you mean you want to try it? Why didn't his lawyer bring it up if it's so important?
E: Well, maybe he just didn't think about it huh?
J: What do you mean didn't think of it? Do you think the man's an idiot or something? It's an obvious thing.
E: Did you think of it?
J: Listen smart guy, it don't matter whether I thought of it. He didn't bring it up because he knew it would hurt his case. What do you think of that?
H: Maybe he didn't bring it up because it would of meant bullying and badgering a helpless old man. You know that doesn't sit very well with a jury; most lawyers avoid it if they can.
G: So what kind of a bum is he then?
H: That's what I've been asking, buddy."
Hint


Question 10 of 10
10. "But soft, what light through yonder window breaks?"

This may be the most famous question heard in any play. Who said this one, and what play is it from?
Hint



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Quiz Answer Key and Fun Facts
1. "To be or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune,..." This may be the most famous of Shakespeare's quandaries, and though many can quote it (at least partially), can you identify who said it and in what play?

Answer: Hamlet in "Hamlet"

These immortal lines are spoken by Hamlet in the play of the same name in one of the most famous soliloquies of all time. An interesting note is that most soliloquies are spoken while the character is alone on stage, but in this case, Ophelia is present, she just can't get a word in edgewise!

The full text is as follows:

"To be or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,...
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of disprized love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pitch and moment
With this regard their currents turn awry,
And lose the name of action."

http://www.monologuearchive.com/s/shakespeare_001.html
2. The following quarrelsome question at the end of a famous monologue is a quandary posed by a cantankerous character from an Edward Albee play that caused scandal when it was first produced: "And what is it? What does the trumpet sound? Up yours." The name of Albee's play is a questionable query in itself. What is it called?

Answer: Who's Afraid of Virginia Woolf?

"Who's Afraid of Virginia Woolf?" caused a commotion when it first came out, due to the subject matter and the biting dialogue.

Here is the full text of George's diatribe that was partially quoted above:

"You take the trouble to construct a civilization...to build a society based on the principles of...you make government and art, and realize that they are, must be, both the same...you bring things to the saddest of all points...to the point where there is something to lose...then all at once, through all the music, through all the sensible sounds of men building, attempting, comes the Dies Irae. And what is it? What does the trumpet sound? Up yours."

The most famous rendering of the play is probably the movie version by Elizabeth Taylor as Martha and Richard Burton as George.

The other three titles are works by Albee as well, though the real title of his work is "The Death of Bessie Smith" not "Who Killed Bessie Smith?" I changed that one to make it look like a question.

Albee celebrated his 80th birthday in 2008 and directed a revival of two of his plays in an off-Broadway production at the Cherry Lane Theater in New York that same year.
3. David Mamet is known for his "realistic" dialogue, which his characters often deliver piecemeal, interrupting and speaking over one another. One of his works first opened in 1992 and was revived on Broadway in 2009 (with Bill Pullman and Julia Stiles in the lead roles). The quixotic and querulous query that opened this play was a rapid fire repetition of the question, "What does that mean?" What Mamet work is this?

Answer: Oleanna

All of these are plays by Mamet, but the one in which an insecure female college student ends up ruining the career of a college professor (justly or unjustly, depending on your point of view) is "Oleanna." One reviewer said that no matter which side you are on, you're wrong, and this controversial work does inspire strong reactions in its audiences.
4. A: Do you think death could possibly be a boat? B: No, no, no...Death is...not. Death isn't. You take my meaning. Death is the ultimate negative. Not-being. You can't not-be on a boat. A: I've frequently not been on boats. B: No, no, no - what you've been is not on boats. Which two characters engaged in these circular quandaries in a famous work by Tom Stoppard?

Answer: Rosencrantz and Guildenstern in "Rosencrantz and Guildenstern Are Dead"

"Rosencrantz and Guildenstern Are Dead" takes two minor characters from Shakespeare's "Hamlet" and makes them the protagonists of the story, including all of the dialogue that exists in the bard's work, but adding other scenes and background to turn the story inside out. I once had the good fortune to see this play staged at the same time and on the same set with the same actors as Hamlet.

It is the best known of Stoppard's works.
5. "What seest thou else In the dark backward and abysm of time?" This is a query from a work by Shakespeare. What tumultuous play did this questionable quandary come from?

Answer: The Tempest

Prospero says this to his daughter Miranda in this stormy play by William Shakespeare. This is one of the many works of Shakespeare that examines the difficulties of parent-child relationships, likening the father's power to that of God and the tragic outcome of their interactions to the frailty of human nature.
6. "Dorian Gray: I love Sibyl Vane. I want to place her on a pedestal of gold, and to see the world worship the woman who is mine. What is marriage? An irrevocable vow. You mock at it for that. Ah! Don't mock. It is an irrevocable vow that I want to take." This questioning quandary is from a famous theatrical play written by Oscar Wilde. True or False?

Answer: False

The quote is from "The Picture of Dorian Gray," which is indeed a work by Oscar Wilde, but it was actually his only novel. Wilde did not write it as a stage play. It was later adapted for the film and theater, with the first stage production in the 1970s. It is often mistakenly referred to as "The Portrait of Dorian Gray."
7. A famous scene from one of Shakespeare's plays contains the following tormented questions: "Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee." Do you know which of the bard's characters said this and in which play?

Answer: Macbeth in "Macbeth"

The full text of Macbeth's tormented speech is as follows:

"Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?"

He was hallucinating with guilt before committing the murder... Probably should have reconsidered, but then the tragedy would not have been a tragedy!
8. The following series of questions is from the play "Five Characters in Search of an Author" by Luigi Pirandello (True or False): "Door-keeper: Excuse me, sir... The Manager: Eh? What is it? Door-keeper: These people are asking for you, sir. The Manager: I am rehearsing, and you know perfectly well no one's allowed to come in during rehearsals! [Turning to the CHARACTERS.] Who are you, please? What do you want? The Father: As a matter of fact... We have come here in search of an author... The Manager: An author? What author? The Father: Any author, sir."

Answer: False

The actual title to the stage play is "Six Characters in Search of an Author". "The Simpsons" show did a satire on this called "Five Characters in Search of an Author." The original work, a satire rejecting traditional dramatic works, was performed in Italian and later translated to many languages, including English.
9. Close quarters, quarrels, questionable assumptions and a quixotic quest for justice. This play has it all. The following series of questions comes from which play? "C: What do you mean you want to try it? Why didn't his lawyer bring it up if it's so important? E: Well, maybe he just didn't think about it huh? J: What do you mean didn't think of it? Do you think the man's an idiot or something? It's an obvious thing. E: Did you think of it? J: Listen smart guy, it don't matter whether I thought of it. He didn't bring it up because he knew it would hurt his case. What do you think of that? H: Maybe he didn't bring it up because it would of meant bullying and badgering a helpless old man. You know that doesn't sit very well with a jury; most lawyers avoid it if they can. G: So what kind of a bum is he then? H: That's what I've been asking, buddy."

Answer: Twelve Angry Men

The original presentation of "Twelve Angry Men" was actually a 51-minute televised play, or teleplay, by Reginald Rose. After the success of this launch, Rose was able to expand it and adapt it for the stage.

Sidney Lumet later made the first screen adaptation of the work. The characters were all identified simply as Jurors with their Juror numbers.

"The Journey to Justice" was a play about the assassination of RFK.

"The Trial" is a story by Kafka about the immoral nature of the justice system.

"Waiting for Godot," by Samuel Beckett, also deals with the theme of frustrated justice, but not in a courtroom setting.
10. "But soft, what light through yonder window breaks?" This may be the most famous question heard in any play. Who said this one, and what play is it from?

Answer: Romeo in "Romeo and Juliet"

Romeo's full speech reads as follows:

"But soft, what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief
That thou, her maid, art far more fair than she."

The second line gives the speaker's identity away. This is one of Shakespeare's best loved works, and one that has been updated and modernized many times.
Source: Author shuehorn

This quiz was reviewed by FunTrivia editor LadyCaitriona before going online.
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