FREE! Click here to Join FunTrivia. Thousands of games, quizzes, and lots more!
Quiz about Insults of the Masters
Quiz about Insults of the Masters

Insults of the Masters Trivia Quiz


Somehow, creative geniuses seem to have an edge when it comes to delivering a real zinger. See if you can guess which authors, painters, and composers aimed these poison darts. Good Luck!

A multiple-choice quiz by jouen58. Estimated time: 8 mins.
  1. Home
  2. »
  3. Quizzes
  4. »
  5. People Trivia
  6. »
  7. Quotes
  8. »
  9. Did They Say That?!

Author
jouen58
Time
8 mins
Type
Multiple Choice
Quiz #
138,029
Updated
Jul 23 22
# Qns
10
Difficulty
Tough
Avg Score
5 / 10
Plays
2057
Awards
Top 20% Quiz
- -
Question 1 of 10
1. This Dublin-born playwright was one of the greatest wits of the 19th-20th centuries. As with many famous authors, he was the (often unwilling) recipient of numerous manuscripts from aspiring authors. To one unlucky (and untalented) aspirant, he returned the submitted manuscript with the blunt critique "The covers of your book are too far apart." Hint


Question 2 of 10
2. Another notable Dublin-born wag was quite devastating on the subject of unattractive females. In one of his books, he describes a certain lady aristocrat as having "the remains of a once truly spectacular ugliness". To a real life lady who asked him "Am I not the ugliest woman in England?" (expecting, no doubt, an indignant protest) he 'gallantly' replied "In the world, madam, in the world!" Hint


Question 3 of 10
3. This Italian composer is best known for his comic operas; fittingly, since he was himself a noted wit and raconteur. Upon the death of his good friend and colleague, the composer Giacomo Meyerbeer, he was visited by the late composer's nephew. The nephew, an aspiring composer himself, brought with him a funeral march he had written for his uncle which he insisted upon playing for the reluctant maestro. After suffering through the piece, the composer grunted "Not too bad, but wouldn't it have been much better if you had died and your uncle had written the funeral march?" Hint


Question 4 of 10
4. Though undeniably a great (if long-winded) composer, this German operatic master seems to have been an all-around dirty dog and, in particular, a venomous anti-Semite. A protege of the aforementioned Meyerbeer, a Jew, he repaid the older composer's early support of him by holding him up to contempt in a scurrilous essay entitled "Jewishness in music" ("Das Judentum in der Musik") . He gave the music of the much admired Felix Mendelssohn the silent treatment; when conducting the late composer's works, he wore white velvet gloves which he peeled off afterwards and dropped on the floor to be swept up by the dustman. He was still more contemptous of the French Jewish composer, Jacques Offenbach, of whose effervescent music he declared "He aimed for a mongrel, fickle, bigoted"(!)"frivolous, shameless hodgepodge, but owing to the leathery texture of his musical mind, it never quite came off." Hint


Question 5 of 10
5. This legendary Spanish painter is perhaps best known for his disturbing and often terrifying paintings which captured the angst of his country during the Napoleonic wars. However, he had previously been the artist of choice to the Spanish royal family, headed by Charles IV. The royals absolutely adored his depiction of them, though it is difficult to see why since he depicted them as ugly, charmless, vulgar, graceless, and unintelligent. Perhaps it was because he skillfully rendered every glint and glimmer of their overstated wardrobe (or maybe they were nearsighted from all the inbreeding). Asked (privately) his opinion of the royals, he opined "They looked like the butcher's family, who lived over the butcher's shop, after they won the big lottery." Hint


Question 6 of 10
6. An insult need not be verbal, as was shown by this Renaissance giant who was hired by two popes to paint a series of murals for the Vatican. Working on a "Last Judgement", he was repeatedly and doggedly hectored by a papal nuncio concerning the proliferation of "profane" nude figures in the fresco. One day, the nuncio arrived in the chapel and was astounded to find himself among the writhing nudes- in hell, no less! He was portrayed as King Minos; to his own buck teeth and pointed nose, the artist had added ass's ears. He was also nude, covered only by a large serpent coiled around his body who was gnawing at his privates. Who was the artist in question? Hint


Question 7 of 10
7. The novels of James Fenimore Cooper, notably "The Deerslayer", "The Pathfinder", and "The Last of the Mohicans" were much admired in their day and are still popular today. However one legendary American Southern author held them up to ridicule in an uproarious essay entitled "Fenimore Cooper's Literary Offenses". Among other things, he charges Cooper with violating eighteen of the nineteen rules governing literary art in the realm of romantic fiction, among them (Rule no. 3): "They require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others. But this detail has often been overlooked in the 'Deerslayer' tale." Hint


Question 8 of 10
8. This American painter was almost as famous for his bon mots as his friend, playwright and author Oscar Wilde. Once, after he delivered a particularly inspired zinger, Wilde exclaimed "I wish I had said that!" Nodding his head sagely, the artist replied "You will, Oscar, you will!" Hint


Question 9 of 10
9. This German-born composer was one of the leading lights of the American musical theater in the first half of the twentieth century. In 1943, he collabarated with poet Ogden Nash and writer S. J. Perleman on a musical about a statue of Venus which miraculously comes to life and falls for an American barber. They wanted the legendary Marlene Dietrich to play the role of Venus and, for a while, she seriously considered the role. Ultimately, though, she rather abruptly declined, which prompted the (German) composer to write angrily to his wife "She is a stupid cow, like all the Germans." Hint


Question 10 of 10
10. This 20th Century American female author was legendary for her stinging witticisms, many of them aimed at her arch-enemy Claire Booth Luce, a fellow writer. On one occasion, the two women nearly collided in a doorway. Luce 'politely' stepped aside with the phrase "Age before beauty!"; to which the other replied "Pearls before swine!" before marching through the door. Hint



(Optional) Create a Free FunTrivia ID to save the points you are about to earn:

arrow Select a User ID:
arrow Choose a Password:
arrow Your Email:




Quiz Answer Key and Fun Facts
1. This Dublin-born playwright was one of the greatest wits of the 19th-20th centuries. As with many famous authors, he was the (often unwilling) recipient of numerous manuscripts from aspiring authors. To one unlucky (and untalented) aspirant, he returned the submitted manuscript with the blunt critique "The covers of your book are too far apart."

Answer: George Bernard Shaw

On another occasion, an author pasted two pages of the manuscript together before sending it off. When it returned with the two pages still attached, she wrote angrily to Shaw accusing him of not having read the novel all the way through. Shaw replied "You don't have to eat an entire egg to know if it's rotten." ("The People's Almanac presents: The Book of Lists #2" by Dave Wallechinsky was the source for these quotes, in the section "The 10 most insulting letters ever written" which is a hilarious read; notably the diatrabe from Mark Twain.)
2. Another notable Dublin-born wag was quite devastating on the subject of unattractive females. In one of his books, he describes a certain lady aristocrat as having "the remains of a once truly spectacular ugliness". To a real life lady who asked him "Am I not the ugliest woman in England?" (expecting, no doubt, an indignant protest) he 'gallantly' replied "In the world, madam, in the world!"

Answer: Oscar Wilde

No beauty himself, Wilde was a life-long aesthete; on his deathbed, he famously quipped "It's me or the wallpaper, one of us will have to go!"
3. This Italian composer is best known for his comic operas; fittingly, since he was himself a noted wit and raconteur. Upon the death of his good friend and colleague, the composer Giacomo Meyerbeer, he was visited by the late composer's nephew. The nephew, an aspiring composer himself, brought with him a funeral march he had written for his uncle which he insisted upon playing for the reluctant maestro. After suffering through the piece, the composer grunted "Not too bad, but wouldn't it have been much better if you had died and your uncle had written the funeral march?"

Answer: Gioacchino Rossini

Rossini was also appalled when the great French tenor Gilbert Duprez, singing in Rossini's own "William Tell", delivered a high C in full chest voice rather than the mellifluous falsetto which was the norm at that time. Rossini described the sound as "The squawk of a capon having its throat cut." (Today, tenors routinely sing high notes in full voice). Though Duprez remained a lifelong friend of the maestro, Rossini always cautioned him to leave his high C in the vestibule when he came for a visit.
4. Though undeniably a great (if long-winded) composer, this German operatic master seems to have been an all-around dirty dog and, in particular, a venomous anti-Semite. A protege of the aforementioned Meyerbeer, a Jew, he repaid the older composer's early support of him by holding him up to contempt in a scurrilous essay entitled "Jewishness in music" ("Das Judentum in der Musik") . He gave the music of the much admired Felix Mendelssohn the silent treatment; when conducting the late composer's works, he wore white velvet gloves which he peeled off afterwards and dropped on the floor to be swept up by the dustman. He was still more contemptous of the French Jewish composer, Jacques Offenbach, of whose effervescent music he declared "He aimed for a mongrel, fickle, bigoted"(!)"frivolous, shameless hodgepodge, but owing to the leathery texture of his musical mind, it never quite came off."

Answer: Richard Wagner

Offenbach's "leathery" musical mind must have been of the finest suede; his operettas have lost none of their sparkle after 100-plus years and his famous "Can Can" continues to kick its feet merrily in the air (even surviving the "honor" of being used in an aggravating Shop-Rite commercial). As for Wagner, you may be comforted to know that he suffered at the hands of critics at least as vicious as he, notably Edouard Hanslick, who described his mammoth "Ring der Nibelungen" as a "musical goose-march".

When Wagner, in his comic opera "Die Meistersinger" caricatured Hanslick as the pedantic, anal-retentive Beckmesser, Hanslick countered by proffering this bouquet of posies: "Of all the clumsy, lumbering, boggling, baboon-blooded stuff I ever saw on a human stage, of all the affected, sapless, soul-less, beginningless, endless, topless, bottomless, topsy-turviest doggerel of sound I ever endured the deadliness of, that eternity of nothing was the deadliest."
5. This legendary Spanish painter is perhaps best known for his disturbing and often terrifying paintings which captured the angst of his country during the Napoleonic wars. However, he had previously been the artist of choice to the Spanish royal family, headed by Charles IV. The royals absolutely adored his depiction of them, though it is difficult to see why since he depicted them as ugly, charmless, vulgar, graceless, and unintelligent. Perhaps it was because he skillfully rendered every glint and glimmer of their overstated wardrobe (or maybe they were nearsighted from all the inbreeding). Asked (privately) his opinion of the royals, he opined "They looked like the butcher's family, who lived over the butcher's shop, after they won the big lottery."

Answer: Francisco Goya

Goya was no fan of the royals, as his 1800 portrait "The Family of Charles IV" clearly shows, and had actually looked forward to what he hoped would be a brave new era with the invasion of France; unfortunately, his hopes were destroyed by the brutality of the French occupation, which led to his famous "Black period".
6. An insult need not be verbal, as was shown by this Renaissance giant who was hired by two popes to paint a series of murals for the Vatican. Working on a "Last Judgement", he was repeatedly and doggedly hectored by a papal nuncio concerning the proliferation of "profane" nude figures in the fresco. One day, the nuncio arrived in the chapel and was astounded to find himself among the writhing nudes- in hell, no less! He was portrayed as King Minos; to his own buck teeth and pointed nose, the artist had added ass's ears. He was also nude, covered only by a large serpent coiled around his body who was gnawing at his privates. Who was the artist in question?

Answer: Michelangelo Buonarotti

The papal nuncio in question was one Biagio da Cesena. Upon seeing the appalling "portrait", he went straightaway to the pontiff to demand his removal from hell. The pope is said to have replied "If you were in Purgatory, I would pray day and night for your release. But from Hell, alas, there is no hope of redemption." Da Cesena remains in "hell" in the "Last Judgement" to this day.
7. The novels of James Fenimore Cooper, notably "The Deerslayer", "The Pathfinder", and "The Last of the Mohicans" were much admired in their day and are still popular today. However one legendary American Southern author held them up to ridicule in an uproarious essay entitled "Fenimore Cooper's Literary Offenses". Among other things, he charges Cooper with violating eighteen of the nineteen rules governing literary art in the realm of romantic fiction, among them (Rule no. 3): "They require that the personages in a tale shall be alive, except in the case of corpses, and that always the reader shall be able to tell the corpses from the others. But this detail has often been overlooked in the 'Deerslayer' tale."

Answer: Mark Twain

Twain's fulminations about the notable lack of common sense displayed in "The Deerslayer" by what he called "Cooper's Indians" are particularly hilarious: "In that matter of intellect, the difference between a Cooper Indian and the Indian that stands in front of the cigar shop is not spacious". Also priceless is his paragraph decrying Cooper's overuse of that hoary melodramatic device, the broken twig: "Every time a Cooper person is in peril, and absolute silence is worth four dollars a minute, he is sure to step on a dry twig.

There may be a hundred other handier things to step on, but that wouldn't satisfy Cooper." (to read Twain's essay in full, go to http://users.telerama.com/~joseph/cooper/cooper.html)
8. This American painter was almost as famous for his bon mots as his friend, playwright and author Oscar Wilde. Once, after he delivered a particularly inspired zinger, Wilde exclaimed "I wish I had said that!" Nodding his head sagely, the artist replied "You will, Oscar, you will!"

Answer: James Mc Neill Whistler

Whistler was also not known for being over-modest. When an admirer exclaimed that he was undoubtedly the greatest painter since Velasquez, Whistler replied irritably "Why drag in Velasquez?". On another occasion, a female admirer mentioned that she had seen a landscape that reminded her of one of his paintings; he replied "Yes, madam, nature is catching up."
9. This German-born composer was one of the leading lights of the American musical theater in the first half of the twentieth century. In 1943, he collabarated with poet Ogden Nash and writer S. J. Perleman on a musical about a statue of Venus which miraculously comes to life and falls for an American barber. They wanted the legendary Marlene Dietrich to play the role of Venus and, for a while, she seriously considered the role. Ultimately, though, she rather abruptly declined, which prompted the (German) composer to write angrily to his wife "She is a stupid cow, like all the Germans."

Answer: Kurt Weill

Weill's wife was the famous Lotte Lenya. She probably had a good laugh over this letter, since Weill himself was German. The musical in question was "One Touch of Venus" which was very successfully produced with Mary Martin in the title role.
10. This 20th Century American female author was legendary for her stinging witticisms, many of them aimed at her arch-enemy Claire Booth Luce, a fellow writer. On one occasion, the two women nearly collided in a doorway. Luce 'politely' stepped aside with the phrase "Age before beauty!"; to which the other replied "Pearls before swine!" before marching through the door.

Answer: Dorothy Parker

Parker referred to Luce and her husband as "Arsenic and old Luce". On one occasion, one of Luce's friends defended her to Parker by pointing out that she was extremely kind to her inferiors; Parker asked "Where does she find them?"
Source: Author jouen58

This quiz was reviewed by FunTrivia editor DakotaNorth before going online.
Any errors found in FunTrivia content are routinely corrected through our feedback system.
11/21/2024, Copyright 2024 FunTrivia, Inc. - Report an Error / Contact Us